Jim Lambie: Forever Changes (4 stars)

Gallery of Modern Art, Glasgow, until Mon 29 Sep

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Jim Lambie: Forever Changes

SCULPTURE AND INSTALLATION

Lambie seems to be an ideal choice for the Gallery of Modern Art’s contribution to the Glasgow International, particularly given his established international reputation yet loyalty to the culture of his home city of Glasgow. As with previous exhibitions we find on show a heady mix of thrifty junk shop art and punk music aesthetics, creating an engaging and accessible space.

This time round Lambie has been given free reign over the entire downstairs floor of the gallery, which he has covered with black and white vinyl tape in ‘The Strokes’ (2008). Spread out across the huge space and round the pillars it takes on a curious theatricality. Onto this floor a range of sculptures have been arranged including ‘Get Back’ (2008), a mock cut section of a wall made from fabulously kitsch oriental fabric-covered bricks and pink grout, the whole wall balancing precariously on two pairs of gentlemanly slick black gloss-painted shoes.

Elsewhere, we see Lambie’s characteristically sturdy use of sculptural form in ‘Sonic Reducer’ (2008), where a number of paper album covers in stacks have been sunk into asymmetrical concrete blocks and scattered randomly around the space. ‘Warm Leatherette’ (2008) has a similarly appealing physicality combined with humour and a heavy dose of punk attitude. The arms of a range of multicoloured leather jackets have been stitched together and padded out to create a freestanding multi-legged leather creature, but what should have become monstrous is instead strangely beautiful. Visiting this exhibition is an entertaining and visceral experience, and the many musical and art historical references Lambie relies on are shrewdly concealed behind its playful spirit.

Jim Lambie: Forever Changes

  • 4 stars

Lambie's biggest exhibition in Glasgow to date includes a new version of his celebrated black and white, vinyl floor amid a quiet riot of colour and materials fighting it out in sculptural works that take inspiration from both art history and contemporary hairstyling trends. 'Part of Glasgow international 2008'.

Comments

1. roberto scafidi30 May 2008, 10:04pm Report

My name is Roberto Scafidi, artist from Buenos Aires, Argentina.This thursday I was shocked and amazed when a student in my class ( I teach in Art Curatorship at Philadelphia College in Buenos Aires, among others schools, and Universitys), and Manuel de Corselas, owner of the www.arssummum.net, a Art History site from Spain both showed me a photograph of the MoMAs floor by this Jim Lambie, wich I consider to be a total rip off my work. I´m working in this line since 1993, there are many catalogues and books in the National Museum of Fine Arts in Buenos Aires that can prove what im saying. You can check some of my work at www.arssummum.net , a art history site from Spain , write my last name in the ” busqueda” case and you could see. Its not “quite like it” its a detail of one of my works, every and each color, the composition, etc. I cant believe the lack of ethics of this guy,but … Mark Harden of the Artchive knows my work since 2006, Nina Colosi, art Curator from N.Y, and many other people in the U.S, and Europe.Got some colectors in Paris, Munich, Italy and Spain, besides Latin America. Please check what Im saying, you will see its true. I´ve been awarded some times, by the French Embassy in 1991´92, lived in Paris at The Cité Internationale des Arts. I´m not saying this out of vanity, but to remark that I have many years working behind me , and many people know my work, and coldnt believe when they saw this plagiarization. I hope you can spread this news for the truths sake.
My mail is
scafidiroberto@yahoo.com.ar.
Thank you very much

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