Scottish Ensemble and Andersson Dance got happy feet
- Kelly Apter
- 10 November 2015
Musicians and dancers breathe new life into Bach
There is no shortage of sedentary moments in a classical musician’s life. Whether they’re down in the orchestra pit or up on the stage, chances are, they’re sitting. Not so with the Scottish Ensemble, who not only perform standing up but can often be found with a sway in their hips or spring in their elbow.
So it’s no surprise to find them collaborating with dancers on their latest project. Swedish company Andersson Dance has joined forces with the Ensemble to create a new interpretation of Dmitry Sitkovetsky's arrangement for strings of Bach’s Goldberg Variations.
To an outsider, it might look like 11 musicians sharing a stage with five dancers, but choreographer Örjan Andersson doesn’t see it that way.
‘We have 16 people on stage,’ he says, ‘and all 16 are dancers. Five of them are much better dancers, and 11 of them are much better musicians – but the whole ensemble is dancing.’
So ubiquitous is the Goldberg Variations, everyone would recognise at least part of it, which proved an exciting challenge for Andersson.
‘Some of them are so well known they’re like elevator music, and that’s a problem because it can feel boring,’ he says. ‘So we had to make people experience this wonderful music in a new way, and I think we’ve succeeded in that.’