Theatre review: The Woman in Black (4 stars)

Blurring lines of theatre and horror

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This article is from 2015.

Theatre review: The Woman in Black

Malcolm James and Matt Connor

Since its first production in 1987, The Woman in Black has toured almost constantly: Stephen Mallatratt first adapted it from the 1983 novel by Susan Hill, and the story has recently won over a younger audience thanks to the 2012 film adaptation starring Daniel Radcliffe.

Yet in its small cast and simple scenography, this production retains aspects of the stage version’s origins in Scarborough's rep theatre, and the script's clever merging of theatrical trickery and straight-forward storytelling conjures an intimate atmosphere even in a large auditorium.

From the introductory scenes – set in an abandoned theatre and setting up the relationship between Kipps (Malcolm James) and the actor he has employed to tell his story of supernatural horror (Matt Connor) – to the arrival of the ghostly woman in black in the final scenes, Robin Herford’s direction is fast-paced and playful, throwing the jump-scares in suddenly and slipping between comic and Gothic moods.

The story follows the line of late Victorian horror, echoing the fiction of Edgar Allan Poe, with a slow reveal of the tragic tale behind the hauntings. The subtle use of lighting effects – and the not-so-subtle sound trickery – cunningly locate the historical period and the brooding atmosphere of Kipps’ tale, leading towards a dark conclusion with a bitter twist.

Because of the sophistication of Hill’s story and Mallatratt’s adaptation, The Woman in Black operates as both a thriller and a wry comment on the role of theatre, as a place where ghosts may hope to be put to rest only to be given a further afterlife.

Reviewed at Theatre Royal, Glasgow, Apr 2015.

This article is from 2015.

The Woman in Black

  • Directed by: Robin Herford
  • Written by: Stephen Mallatratt (adapt)

Spookily Gothic and highly theatrical adaptation of Susan Hill's story about a young lawyer trying to exorcise his metaphorical demons.

Curve Theatre, Leicester

Mon 30 Jan 2017

£13–£28 / 0116 242 3595

Tue 31 Jan 2017

£13–£28 / 0116 242 3595

Wed 1 Feb 2017

£13–£28 / 0116 242 3595

…and 3 more dates until 4 Feb 2017

Everyman Theatre, Cheltenham

Mon 23 Jan 2017

£16–£28; £15–£25; £16–£28; £18–£30; £15–£25 2pm; £18–£30 (£19–£26; £17–£23; £17–£23; £21–£28; £21–£28) / 01242 572573

Tue 24 Jan 2017

£16–£28; £15–£25; £16–£28; £18–£30; £15–£25 2pm; £18–£30 (£19–£26; £17–£23; £17–£23; £21–£28; £21–£28) / 01242 572573

Wed 25 Jan 2017

£16–£28; £15–£25; £16–£28; £18–£30; £15–£25 2pm; £18–£30 (£19–£26; £17–£23; £17–£23; £21–£28; £21–£28) / 01242 572573

…and 3 more dates until 28 Jan 2017

Fortune Theatre, London WC2B

Fri 9 Dec

£19.50–£60 / 0844 871 7627

Sat 10 Dec

£19.50–£60 / 0844 871 7627

Tue 13 Dec

£19.50–£60 / 0844 871 7627

…and 205 more dates until 23 Sep 2017

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