Lady Gaga - Artpop (3 stars)

Over-long and cliché-ridden, but pretty damn exciting nonetheless

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This article is from 2013.

Lady Gaga - Artpop

Oh, that title. Yes, there’s a tension between art and commerce in Lady Gaga’s work. We know. ARTPOP. Art + pop. You know, like pop art, like Lichtenstein or Warhol – only they were artists doing pop while she’s a pop star doing art. Or vice versa. DO YOU SEE …? This hammering-it-home-with-a-big-neon-hammer approach pervades the whole album, but subtlety is a crutch for those afraid to rhyme ‘Uranus’ with ‘My ass is famous’.

When it works, ARTPOP is remarkably good – the flamenco flourishes, sinister chanteusing and wibbly-wobbly, dubstep-infused fluorescence of ‘Aura’; the post-Squarepusher glitchiness and Grace Jones homage of ‘Sexxx Dreams’; the absurdly cartoonish Broadway-meets-Meatloaf mid-eight of the otherwise onerous ‘Mary Jane Holland’. ‘Gypsy’ finds Gaga lauding her itinerant lifestyle via rousing 1980s bratpack AOR filtered through a 21st-century dance aesthetic. Current single ‘Applause’ brings Gaga’s wilder ideas and über-pop instincts together in a perfect symbiosis. And ‘Swine’ is arguably the highlight, a furious anti-chauvinist tirade that sounds like classic Girls Aloud given a post-dubstep twist.

There’s a really concise, focused, idiosyncratic pop album somewhere in here, but at 15 songs and an hour long, ARTPOP is not quite it. For every genuinely thrilling, way-out idea, there’s a corresponding nondescript chart-music cliché or a refrain that would have sounded a bit stale at Eurovision circa 1983. The faultline is usually clearly delineated, too, with bold, imaginative verses and shamelessly obvious chart-bait choruses, continuing the tradition of ‘Poker Face’ and ‘Bad Romance’.

At worst, Gaga’s artistic aspirations make her pop side seem arch and cynical, whereas her pop sensibility makes the art side seem flimsy and obvious. But the biggest problem is that the central premise is mistaken. Pop is art and art is pop. In extension of this false dichotomy, Gaga takes the most blatantly obvious signifiers from both worlds and mashes them together into a weirdly lumpen and unwieldy hybrid – albeit one that’s pretty damn exciting more often than it has any right to be.

Lady Gaga - Do What U Want (Audio) ft. R. Kelly

This article is from 2013.

Lady Gaga: Joanne World Tour

Big electro tunes and even bigger costumes from poker-faced Stefani Joanne Angelina Germanotta, in support of her fifth studio album, Joanne.

Barclaycard Arena, Birmingham

Sun 15 Oct

£55 / 0871 945 6000

Manchester Arena

Tue 17 Oct

£40–£105 / 0844 847 8000

The O2 Arena, London SE10

Mon 9 Oct

Prices to be confirmed / 0844 856 0202

Wed 11 Oct

Prices to be confirmed / 0844 856 0202

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1. Reed van Galen7 Dec 2013, 12:52pm Report

A really great article. All thoughts that I had when I listened to it. Good album. Very ambitious, falls a little short (some of those lyrics - it's like the author published her novel without reading it first...) but trust in Gaga. She's a great artist and she would never have enjoyed all her triumphs if she hadn't always aimed so high that the sun got in her eyes and made her shoot wonky... :/ :)

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