Richard Dawson - Glad Cafe, Glasgow, Sat 21 Sep 2013 (4 stars)

Tyneside hero light years away from your average earnest troubadour

comments
Richard Dawson - Glad Cafe, Glasgow, Sat 21 Sep 2013

The British folk tradition continues to be a rich source of inspiration for artists raised in the experimental underground. There's little direct reference to the tradition in Howie Reeve's opening set, but there's a case for arguing that his conversational snapshots and prog-punk bass runs are a kind of DIY folk music. Rafe Fitzpatrick (fiddle wiz for Tattie Toes and Alasdair Roberts) and dada percussionist Fritz Welch explode folk forms in a superb set of clatter and saw, suggesting a weirdo UK improv take on the free-jazz violin of the late, great Billy Bang.

Bushy of beard and childlike of gait, Tyneside hero Richard Dawson takes to the stage, drinking the blood-red wine. Playing the stumblebum raconteur, he rambles hilariously about the joys of wearing shorts and talks to an invisible ghost horse. He picks at a flower pot, munching on the bitter petals, before offering them around. There's a method to this madness, however, for his ballads of the old north, industrial and rural, are haunted by spirits. A harrowing knacker's yard tale, 'Poor Old Horse', is one of Dawson's most arresting unaccompanied songs, with his ragged, open-voiced baritone, bringing a palpable sense of anger and sorrow. 'The Ghost of a Tree' finds the uncanny in a bleak winter landscape, while 'The Brisk Lad' tells of an outlaw on the moors. Dawson is an inventive guitarist too, picking out Martin Carthy-meets-Beefheart instrumentals through rusted pale amp buzz. Light years away from your average earnest troubadour, Dawson is an eccentric but fierce talent.

RM Hubbert

Guitar instrumentals from the artist who won the Scottish Album of the Year in 2013.

Richard Dawson

Acclaimed Northumbrian singer-songwriter drawing comparisons to John Martyn and Captain Beefheart.

Comments

Post a comment