David Peat: An Eye on the World examines the photographer and filmmaker's legacy

The exhibition will also serve to launch a book of Peat's work

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David Peat: An Eye on the World examines the photographer and filmmaker's legacy

Photo: David Peat

When documentary filmmaker David Peat, who followed Billy Connolly's 1976 tour of Northern Ireland in Big Banana Feet, discovered he had cancer, he decided to unearth his extensive archive of still photographs taken over a 40-year period. These included early shots taken of children on the streets of the Gorbals in 1968, a theme which he applied with warmth and compassion to his subjects wherever they happened to be.

When a selection of these images was shown at Street Level in 2012, the year of Peat's death, it was named in this august organ as one of the best exhibitions of the year. Now expanded to embrace the full span of his canon, this retrospective at the Dovecot coincides with the launch of a book of Peat's work that reveals a fascinating social document as well as the eye of a true artist.

'It's really two exhibitions in one,' explains Peat's widow, Trish MacLaurin. 'David shot the early stuff in the Gorbals for a portfolio when he was trying to get into TV. Then there's the international lot which, when he found out he had cancer, he selected from about 10,000 negatives. David always talked of wanting to leave a legacy, because he wasn't bright at school and had a terrible time. Working on the exhibition has been good for me and the family as well.'

While she has lived with Peat's vast collection for most of her life, if MacLaurin had to pick a favourite image, it would be 'one of a couple playing chess, and in the middle is a pigeon watching them. There's so much going on there, and people can get so many different things from it.'

Dovecot Studios, Edinburgh, Fri 27 Sep–Sat 26 Oct.

David Peat: An Eye on the World

Retrospective of photographic work by the late David Peat (1947–2012), one of Scotland's finest documentarists. The show includes some of his earliest work, taken in 1968 when he was just 21.

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