Theatremakers Damir Todorovic and Kirsty Housley discuss Mayfesto 2013

The political theatre fest will also feature plays from Jenna Watt, Daniel Bye and the Tron Studio

Theatremakers Damir Todorovic and Kirsty Housley discuss Mayfesto 2013

As It Is

Mayfesto, the Tron’s annual festival of political theatre, takes truth and identity as its focus in 2013. Programme highlights include Flâneurs, Jenna Watt’s Fringe First-winning look at urban violence (see our Fringe review); The Price of Everything, Daniel Bye’s performance lecture on consumption (also reviewed at the Fringe); and Bandwagon, the Tron Studio’s new devised piece.

One of the most exciting works will be As It Is (Tue 14–Thu 16 May), from Serbian theatre maker and Vanishing Point associate artist Damir Todorovic. Hooked up to a lie detector, he plays a version of himself as he’s questioned about wartime experiences in Bosnia in 1993. ‘The dramatic structure of the show has been built like a real police investigation, so the strategy is very precise,’ he says. ‘I’m asking myself and the audience, is it possible to live without lies? And is it actually desirable?’

Kirsty Housley’s play Bandages (Fri 3 & Sat 4 May) takes a similar approach. It focuses on two sisters who live together and have a pathological fear of the world outside their home. They read about attacks on young women and build up their own narratives to understand these events. Housley explains: ‘It’s about what the truth really is and how our need for stories sometimes overwhelms our ability to see what’s happening around us. And how sometimes, in trying to make sense of things, we totally obscure what something actually is.’

And it’s this sense of distorted truth that Todorovic addresses too. ‘Our society is pretty cruel and it’s very difficult to live without lies,’ he says. ‘What I’ve learnt from this experience is that sometimes it’s better to be silent than to tell a lie. I really do not like lies and we should try to avoid them. We should be sure of a kind of certain truth which is inside us and not confuse our reality. Otherwise it becomes a fiction.’

Tron Theatre, Glasgow, Wed 1–Mon 20 May.


Mayfesto celebrates theatre with an edge, theatre that focuses on what's going on in the world and that is in response to recent events.


Jenna Watt explores violence in public places by attempting to deconstruct the bystander effect in a work she wrote following a violent attack on her friend in 2010.


Making her debut as a playwright, award-winning theatre director Kirsty Housley presents her tale of two sisters who live inside a world of their own creation. Through their stories, the pair try to shelter themselves from the dangers of the outside world – but that might not be where the danger lies, after all.

The Price of Everything

Daniel Bye's production is not an extended tribute to The Price is Right, but rather a 'performance lecture' that brings together strange fact and provocative argument to examine the difference between price and value. Be prepared to be educated, entertained, and given a free glass of milk.

As It Is

A man forced to serve in the Bosnian War attaches himself to a lie-detector machine to find out whether his memories are real or whether they are the product of his imagination. Vanishing Point examine the gap between memory and reality in a new work penned by Damir Todorovic, who is also the play's subject.


Tron Studio, the Tron's adult community company, present this production all about following the crowd and giving into the compulsion to join in. Rather than a criticism, Bandwagon celebrates the mob mentality for the insights into oneself it can bring. Gareth Nicholls directs.


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