John McCracken (3 stars)

comments (1)
John McCracken

The comments in the visitor’s book are a mixed bunch, and if you don’t know John McCracken’s work already then they might help you gauge in advance whether you’ll enjoy this exhibition: ‘The emperor has no clothes’. ‘I agree’. ‘Dull’. ‘A very lazy artist’.

But if you like Barnett Newman and Callum Innes you may well appreciate McCracken’s output, which consists of large, shiny, coloured prisms, usually, although not exclusively, in cuboid form. He has received most attention for a series of pieces with plank-like dimensions, which he leans against walls as though they were part-way between sculpture and canvas.

As far as the emperor’s state of undress is concerned, I wasn’t unreservedly convinced. Sketchbook drawings (all signed and dated) are covered in notes to self and/or posterity. ‘Clean, marvelous color. That is the vision I’ve had from a long time ago but keep forgetting. MAYBE I SHOULD FORGET IT. and then …’

There is something compelling, though, about these ungiving, highly reflective surfaces with their shiny names (‘Ace’, ‘Hotshot’) and racing-car bonnet texture, and they hold you so magnetically within their power-radius of reflection and fascination that it really does seem relevant for McCracken to ask ‘If a piece is blue, what colour is the space around it?’ It’s the attraction of the shiny, inexplicable found-object, clearly a foreign intrusion into its surroundings (visitors, gallery, botanic gardens beaming green through all the windows) and yet interacting with them after its own glossy, alien fashion.

‘Interesting idea: these are beings of another world transmitting themselves through me. Don’t ask me why they’re here.’

Inverleith House, Royal Botanic Gardens, Edinburgh, until Sun 11 Oct

John McCracken

  • 3 stars

The influential American artist's first solo museum exhibition in the UK, featuring drawings and sculptures characterised by bold block colours and clean lines.

John McCracken

  • 3 stars

This is the first museum exhibition in the UK by John McCracken, one of the great living American artists whose use of colour and form continues to influence artists across generations, in a career spanning 45 years. It features major sculptures dating from 1966 and drawings by the artist – being shown together for the…

Comments

1. Pleepy7 Sep 2009, 10:56am Report

my initial reaction to this work was that it was dull..the nice thing was I brought someone up to edinburgh who doesnt exactly frequent art galleries (like I do) and he got the reason for this work instantly and said it seemed infinite -not a word he normally uses..This coupled by the unintellectual style of the video gave both of us a very peaceful half hour

Post a comment
RSS feed of these comments