Film within 5 miles of Edinburgh

• 120 min

A selection of short films from final year students at Edinburgh College's Sighthill Campus.

Three pieces on video: The Emperor Jones is a video interpretation of The Wooster Group’s original stage production of Eugene O’Neill’s play; Today, I Must Sincerely Congratulate You is the Group’s 1991 metadocumentary of daily life in a fading performance troupe; and Rhyme ’Em to Death is a short black-and-white film…

Screening of a very good independent Scottish short film with Hippie disco.

This is a filmed documentary on Jirí Kylián’s life, way of thinking and most significant creations. Shot in 2011 in The Hague, Prague, Monte Carlo and Paris with Sabine Kupferberg dancing as Kylián rehearses some of his works. Film directed by Christian Dumais-Lvowski and Don Kent.

Artist Ilana Halperin, whose exhibition The Library is currently running in the museum, curates a programme of films in which artists interact with geological processes (as she herself does). Artists include Joan Jonas, Seth Kelly, Allan McCollum, Takehito Shiina and a new work by Halperin herself.

A live screening direct from the Glyndebourne Festival of Opera of Richard Strauss' comedic 1912 opera Ariadne auf Naxos.

Choreographed in 1932, The Green Table is known as Kurt Jooss’s masterpiece. In this film of a performance in the 1960s by Folkwang Ballet, the dancers include a young Pina Bausch. Portrait of Mary Wigman: at the end of the roaring twenties Mary Wigman provoked a real revolution in the world of dance.

Beckett on Film: Happy Days: Directed by Patricia Rozema and starring Rosaleen Linehan and Richard Johnson.

European Premiere: An English teacher sees a woman on the underground and decides she will become his wife and the mother of his children. He takes over her life and when she tries to escape, all doors close before her. Once re-captured he abuses her again, over and over. Histoire d’amour explores a world where guilt and…

A video of a complete performance of the 1999 OBIE-winning collision of Gertrude Stein’s Doctor Faustus Lights the Lights with Joseph Mawra’s B-movie classic, Olga’s House of Shame. ‘Bedazzling … there’s nothing else like it around; it turns disorientation into a primary sensual pleasure, even as it raises terrifying…

Moshe Kam of Drexel University, Philadelphia, discusses the neverending cycle of advancements in cinema, that provide for expanded artistic freedom and in turn lead to new technological opportunities. Chaired by Sir John Arbuthnott, President of the Royal Society of Edinburgh.

Rhubaba Gallery presents a selection of earlier short films from the brilliant John Smith: Associations, The Girl Chewing Gum and The Black Tower.

Beckett on Film: Krapp’s Last Tape: Directed by Atom Egoyan and starring John Hurt.

European Premiere: A two-dimensional, cinematic black-and-white woman of yesteryear struggles to break free of the social, economic and political straitjacket of the time, while a three-dimensional woman of here and now struggles to what … ? Break free … ? Of what … ? When the unfulfilled soul of a fictional woman surges…

A collection of four short films made by refugee and asylum seekers.

A live screening of Verdi's masterpiece staring Ambrogio Maestri.

In honour of the 150th anniversary of the birth of Edvard Munch, expert Tim Marlow hosts a behind-the-scenes look at putting on this exhibition.

The Royal Anthropological Institute of Great Britain & Ireland's long-running festival comes to Scotland for the first time, showcasing ethnographic films from all over the world. The four days of screening are subdivided into four categories – RAI & Basil Wright Prize, Material Culture, Intangible Heritage and…

Beckett on Film: Rockaby: Directed by Richard Eyre and starring Penelope Wilton. Act Without Words I: Directed by Karel Reisz and starring Sean Foley with music by Michael Nyman. That Time: Directed by Charles Garrad and starring Niall Buggy.

A video reconstruction of the landmark 1977 production Rumstick Road which combined audio taped conversations, family letters, dance, 35mm slides and the writing of Mary Baker Eddy to construct a response to the suicide of Spalding Gray’s mother. 'A brilliant and engrossing work; one whose abstraction and complexity…

A film/theatre mash-up from the imaginative comedian.