The Big Pink, 2:54 and Blank Canvas

Over-14s show. Electro indie rockers, named after The Band's album/recording studio, and best known for their anthem 'Dominoes'. Support from sisterly duo 2:54.

We don't have details of any future performances, if you know of some please let us know.

The Big Pink - Future This

Second electro-pop offering let down by over-egged desire to be anthemic

6 Jan 2012

(4AD) It’s easy to assume that London duo Robbie Furze and Milo Cordell’s oft-scrutinised industry connections have earned them their breaks while ignoring the fact that the dark, feedback and effects-swathed element of their music honours 4AD’s goth…

Single of the month: Trailer Trash Tracys ‘Candy Girl / Strangling Good Guys’

Florence and the Machine, Arctic Monkeys and more also reviewed

5 Jan 2012

Music snobs love to flame Florence and the Machine these days. But as ‘No Light No Light’ (Island) ●●●● proves, Welch does epic, pagan pop pretty much perfectly. Her only crime is that lots of people now like it. They’d no doubt sneer at the recent…

Exposure: Esben and the Witch

29 Apr 2010

Those of a fragile disposition are advised to look away now. Brighton horror-folk sorcerers Esben and the Witch – Daniel (axe, electronics), Rachel (lungs, bass), Thomas (axe, synth) – are rapidly advancing. They’re coming to get you, Glasgow You…

Hitlist: Music

Your fortnightly feast for the ears

2 Oct 2009

Noah and the Whale, Mudhoney and The Vaselines, Invasion, Scarce, The Big Pink, Hypnotic Brass Ensemble, Music Like a Vitamin, The Dead Weather

The Big Pink interview

Getting dreamy with the indie fuzz debutantes

1 Oct 2009

We’re told The Big Pink’s Robbie Furze is something of a charmer. Quite apt, then, that his band’s debut is all about love, as we imagine, the singer has had a hell of a lot of experience. Furze is on rare downtime and in the middle of dog walking on a…

The Big Pink

2 Apr 2009

PREVIEW Milo Cordell and Robbie Furze have come a long way since their days of running club nights in a disused horse hospital in Islington. ‘We were both really into industrial noise,’ says Cordell. ‘Just noise. Like kkkssshhh. Kkkrrr. Distorted…

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