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Found 42 articles.
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22 Jul 2008
Brecht and Weill’s Mahagonny has inspired an artistic generation. Neil Cooper analyses the pair’s enduring appeal.
17 Jul 2008
PREVIEW POP Stereo, Glasgow, Sun 27 Jul When Nick Currie named himself after the Greek god of mockery, being clever, like ridicule, was nothing to be scared of. Edinburgh-based Currie had already fronted The Happy Family, a band that featured half…
19 Jun 2008
Once upon a time, before the well-oiled ogres of WWE ruled the world in day-glo spandex, The Wrestling was a national institution. Every Saturday afternoon in the 1970s and 1980s, everything stopped at 4pm, to watch end-of-the-pier Greek tragedies…
23 Aug 2007
‘Hola!’ Shaun Ryder is just back from Spain, and has clearly been learning the language. In between shows leading up to next week’s T on the Fringe gig, though, the surprisingly sharp and decidedly affable Happy Mondays frontman is at home, ‘catching up…
MIXED MEDIA Edinburgh College of Art, until Tue 24 Jun Information overload, autonomy, inquiry, provocation and dissent. Not themes as such, but rather loose strands in the willfully disparate expanse that makes up this class of 2008…
24 Apr 2008
ELECTRONICA Voodoo Rooms, Edinburgh, Sun 4 May Without British Forces radio, Ulrich Schnauss’ brand of transcendent electronica wouldn’t be quite so lovely. In early 90s small-town Germany, it was the only way quintessentially English bands such as…
A collage-based approach to theatre from maverick creator. Heiner Goebbels’ latest work may be in the Edinburgh International Festival’s drama programme, but the scope of this maverick composer and theatre maker is far more expansive. In 2001…
This collaboration between the Japanese husband and wife team of pianist Satoko Fujii and trumpeter Natsuki Tamura with a quartet culled from Glasgow Improvisers Orchestra was a bijou precursor to a full GIO blow-out with the pair later in the week at…
3 Jul 2008
Underwater, you hear things differently. This is part of the thinking behind Wet Sounds, a knowingly named tour of sound art which takes place not in uptight white space galleries, but in ten public swimming pools between London and Nairn. With the…
According to clichéd legend, if you can remember the 1960s, you weren’t really there. The artists taking part in Altered States of Paint at DCA who were around during that heady decade were still in their wide-eyed infancy. The ones who weren’t are…
ROCK New Breed @ The Vic Café, Glasgow School of Art, Sat 7 Jun ‘Play it a bit more Todd Rungren, baby.’ Not words you hear at every art school hop, but it’s what Fire Engines/Heartbeat/Win/The Nectarine No 9 guitarist and guiding light Davy Henderson…
10 Apr 2008
DUB/REGGAE Voodoo Rooms, Edinburgh, Sat 12 Apr What would you do if a voice of a generation ran off with your girlfriend? In the case of Don Letts, who introduced reggae to snotty nosed punks during his year zero residency at The Roxy, he…
REVIEW PAINTING & SCULPTURE Collins Gallery, Glasgow, until Sat 16 Aug (closed Fri 18–Mon 21 Jul) Lou Reed had never been to Berlin before he wrote his doomed rock opera named after the then divided city. If he had, it might have been even…
Between the wars, the world changed. European cities were rebuilt taller and denser than before, with new technology giving rise to an industrial and creative hub. More than half a century on, this major touring show originating from Washington’s…
PERFORMANCE St Cecilia’s Hall, Edinburgh, Sat 5 & Sun 6 Jul As the oldest purpose-built concert hall in Scotland, St Cecilia’s Hall is in possession of unique acoustic properties. St Cecilia, of course, was the patron saint of church music, whose…
INDIE Voodoo Rooms, Edinburgh, Sun 13 Apr When Josef K named their solitary album The Only Fun in Town in 1981, it was as dry a statement on Edinburgh nightlife as a band named after a Franz Kafka character could muster. Almost 30 years on, ex-Josef K…
27 Mar 2008
Barry Adamson is making his pitch. The way the composer, crooner, ex-Magazine and Bad Seeds bassist and now big(ish) band leader tells it regarding his forthcoming eighth album, Back to the Cat, though, sounds like making movies. But then, the absorbed…
13 Dec 2007
Henry’s Cellar Bar, Edinburgh, Tue 15 Nov The name is misleading. Rather than some mellowed out, magic-carpet-riding, back-packer-eyed mystics as may be implied, this bi-aural, bi-lingual, buy-now-while-stocks-last quartet are up-tight, in-tense and…
REVIEW PHOTOGRAPHY & FILM Mount Stuart, Isle Of Bute, until Tue 30 Sep A man sits at his living room table, a pet pug and its pups at his feet. An elderly couple walk through the countryside, posing for the camera, stiff-backed and proud. The…
13 Mar 2008
With shades of Scott Walker, Smog and Simon Bonney by way of Julian Cope and John Cale to his intimately epic, full-larynxed crooning, Simon Breed’s wordier than thou late-night troubadouring has been championed by Bad Seed Mick Harvey, the late John…
4 Jan 2008
With January a dry month for releases, the New Year seems a good time to catch up on some left-field singles that have shamefully slipped through the net in this old-fashioned vinyl-only special. Edinburgh’s Wee Black Skelf is the most unsung but…
The Lot, Edinburgh, Wed 14 Nov ‘Fucking technology, eh?’ spits drummer Stu Ritchie by way of an abrupt end to a mid-set melodica-led number, shattering the chummy mood of this launch gig for Trianglehead’s just-released second album, Exit Strategy.
15 Nov 2007
JAZZ The Lot, Edinburgh, Wed 7 Nov Live, the extended improvisations of the Australian trio of pianist Chris Abrahams, drummer Tony Buck and bassist Lloyd Swanson should curl up into an inward-looking heap. Yet, as their recent album, Townsville…
18 Oct 2007
EXPERIMENTAL Henry’s Cellar Bar, Edinburgh, Mon 17 Sep There are Moomins on the poster, and something equally other-worldly about Kuupuu’s fractured folk tones. Having wafted all the way from Tampere, Finland, they sound still swathed in dawn mist…
9 Aug 2007
Edinburgh’s premiere promoters of aktionist noise happenings commemorate a decade of cottage industry chunder with three bloody Sundays of non-Fringe-based hissy fits. Five reasons for their essentialness follow 1 It’s not music. It’s just noise And…
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