Found 39 articles.
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13 Nov 2006
CLASSIC The temptation with Sean O’Casey’s celebrated Dublin trilogy, which began with The Shadow of a Gunman (1923) and continued with Juno and the Paycock (1924) and The Plough and the Stars (1926), is to present them as knock-about Oirish comedies…
26 Oct 2006
CLASSIC Ladies, step this way. If you’re up for a sexual thrill, just check out the opening act of Tennessee Williams’ magnificent Sweet Bird of Youth and see Alan Turkington preening around in his pyjama bottoms, flexing his clean shaven chest and…
27 Mar 2008
NEW WORK Traverse Theatre, Edinburgh, Thu 3–Sat 5 Apr Edinburgh’s Lung Ha’s theatre company has always steered clear of politics. Although set up to give performing opportunities to people with learning disabilities, the company prefers to let the…
19 Jun 2008
NEW PLAY CCA, Glasgow, Thu 26–Sat 28 Jun Director Peter Lamb was cautious when he heard actor Mark Tominey’s idea. Could a show work in which the audience saw not only the characters but also the characters’ subtexts – their inner thoughts – fleshed…
22 May 2008
NEW WRITING Royal Lyceum, Edinburgh, Fri 23 & Sat 24 May then touring British audiences nearly got to see The First to Go in 2002. Actor and playwright Nabil Shaban had the commission from Battersea Arts Centre and the government had pledged £50,000…
23 Aug 2007
Three things compelled DT Max to set about writing The Family that Couldn’t Sleep. Firstly, as a science writer for the New Yorker and New York Times, he had an interest in prions, the rogue proteins behind mad cow disease. The second was personal: he…
19 Jul 2007
Edinburgh Festival Fringe Art of the matter Tim Crouch tells Mark Fisher that England is about many things, but they don’t include warm beer and nostalgia
Edinburgh International Festival Countdown to ecstasy There’s more to me than fluff and frivolity, insists Perthshire lad Alan Cumming, as he prepares for his most hedonistic role yet. Mark Fisher raises a glass to the god of good times
27 Mar 2007
NEW TRANSLATION If you like your theatre cosy, comfortable and reassuring, don’t go within a mile of Aalst. A collaboration between Pol Heyvaert’s Belgian Victoria company and the National Theatre of Scotland, Aalst is the harrowing true-life tale of…
12 Feb 2007
NEW PLAY Whether we’re crossing on red or skydiving for kicks, we live in a world of calculated risk. If we stopped to think about it, we’d rarely leave the house for fear of the consequences. Actually, to stay in the house would only expose us to…
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