Found 33 articles.
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23 Aug 2007
Three things compelled DT Max to set about writing The Family that Couldn’t Sleep. Firstly, as a science writer for the New Yorker and New York Times, he had an interest in prions, the rogue proteins behind mad cow disease. The second was personal: he…
16 Aug 2007
‘I developed special software for the last couple of pieces,’ says Elizabeth LeCompte, artistic director of New York avant-garders the Wooster Group. ‘Final Cut Pro and Isadora, you know, I was the initial developer.’ Actually, she was nothing of the…
These are combative times to be a God-denier. It’s not only loopy Christians who are trying to make us believe the world was made in a week, now certain Muslims are jumping on the creationist bandwagon. Turkey’s Adnan Oktar, writing as Harun Yahya, has…
1 Aug 2007
These days everyone wants to use the Fringe as a springboard to fame and fortune. Sketch comedy double act Girl and Dean (aka Jess Ransom and Sarah Dean) may well have their future sorted as they’ll surely be the only Fringe act to be playing the UK…
When Chris Goode called his company Signal to Noise he was thinking about the nature of communication. The two shows he’s bringing to the Fringe this year are a case in point.
The hit of the 2004 season at Aurora Nova was Chronicles: A Lamentation. Performed by Poland’s Teatr Piesn Kozla (Song of the Goat Theatre) it was one of those rare performances you wanted to watch again the moment it had finished.
It’s the kind of thing any band could have dreamt up on a boozy night after a gig. ‘Instead of playing our guitars and drums,’ one musician would say, ‘wouldn’t it be great if we all played one big instrument?’ Everyone would agree and, of course, they…
Festival Fringe Stilted performance Mark Fisher goes outdoors in Warsaw to find a Polish Macbeth with the taste of Iraq and the roar of a motorbike
Enda Walsh has a lot to thank the Edinburgh Fringe for. It was here in 1997 that the Traverse Theatre hosted a production of his play Disco Pigs.
19 Jul 2007
Christian Von Richthofen likes a vehicle to sound good. ‘In Germany it’s the Opel,’ he says. ‘The way the bonnet swings is like an Indian drum. On one side, the mudguards sound like a bass drum and on the other, a conga.’ None of this would interest…
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