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Allan Radcliffe

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Roger Ackling - interview

Roger Ackling - interview

The visual artist's current exhibition features burnt images created using magnifying glasses

3 Feb 2012

What was the first exhibition you went to see? Something at the Wallace Collection, London. Maybe Brueghel. What was your first paid job as an artist? Part time teaching at Wimbledon School of Art. What kind of music do you listen to while…

Passing Through charts encounter between a magician and a young woman

Passing Through charts encounter between a magician and a young woman

Theatre romcom two-hander from Peapod Productions

2 Feb 2012

Striking out on your own can be tough. But for actor Philip Kingscott, who set up Peapod Productions in 2010, the gamble has been worthwhile. Last year’s touring production The Garden was a five-star success, leading Kingscott to commission a new play…

The Infamous Brothers Davenport

The Infamous Brothers Davenport

Captures excitement of Victorian public séance but makes for unsatisfactory theatre

(3 stars)1 Feb 2012

Some 52 members of the crew on this co-production between Vox Motus and the Lyceum were required to sign secrecy clauses, so it’s no surprise that the show has its fair share of ‘how-did-they-do-that’ moments. In one scene, a table rises from the ground…

Preview of 2012 - Martin Creed: All the Bells

Preview of 2012 - Martin Creed: All the Bells

Turner Prize winner invites Brits to ring in the Olympics

6 Jan 2012

Controversial he may be but conceptual artist Martin Creed has always been brutally honest with the paying public. His most famous work to date, Work No. 227: the lights going on and off, did exactly what it said on the tin and helped the Glasgow-raised…

The King and I

The King and I

This stylish production of the musical classic can't disguise the script's patronising tone

(3 stars)6 Jan 2012

Like most of Rodgers and Hammerstein’s quintet of hit musicals, the deceptively light surface action in The King and I struggles to keep the lid on the problematic themes rumbling away underneath. Where the culture clash between prim, feisty governess…

The Lost Sock Princess

The Lost Sock Princess

Puppet Lab's festive show for under-sevens is infectious, interactive fun

(4 stars)19 Dec 2011

Ever wondered what happens to your socks when they disappear from the washing machine? Puppet Lab provides some highly persuasive answers to this conundrum in a big-hearted entertainment pitched at children under the age of seven. The show kicks off in…

Simon Hart, artistic director of the Manipulate Visual Theatre Festival - interview

Interview: Simon Hart, artistic director of the Manipulate Visual Theatre Festival

Highlights of the 2012 theatre and puppetry festival programme

19 Dec 2011

What can we expect from this year’s Manipulate programme? A great festival with an eclectic international mix: of stylish and sophisticated object theatre, digital projections, animations – and lots of water – in the Theatre Sans Soucis’ Hamletmachine…

Interview: Kirsty Whiten

Interview: Kirsty Whiten

Breeder Badlands show at Edinburgh Printmakers

19 Dec 2011

What made you want to be an artist? The uniform. And the pension plan. Your new solo show, Breeder Badlands, explores the complexities of the familial unit. What was the original inspiration for the exhibition? This work is really personal – friends and…

The Hot 100 2011: 100-40

The Hot 100 2011: 100-50

The definitive list of Scottish creative talent

16 Dec 2011

100: Gordon Ferris. Kilmarnock crime author makes good. The already packed Scottish crime writing field has finally found a bit of elbow room for another burgeoning talent. Joining the likes of Rankin, Brookmyre, McDermid and co is this Ayrshire-born…

HOT 100 2011 - 49 to 1

Hot 100 2011 - No. 49 to 1

The definitive list of Scottish creative talent

16 Dec 2011

The Hot 100 is the definitive list of Scottish creative talent. From fashion designers to performance artists, everyone who has made a sizeable splash in 2011 has a place in this countdown. It’s for people who’ve created a buzz, but it’s also about…

Cinderella

Cinderella (Dundee Rep)

Witty script, excellent performances and bold lack of concern for tradition

(4 stars)12 Dec 2011

Writer Phil Porter has taken perhaps the best-loved of all festive tales, pulled it apart and reassembled it with a bold lack of concern for tradition. Yes, folks, this is Cinderella but not as we know it. For starters, this version is set on a…

Cinderella

Cinderella (King's Theatre, Edinburgh)

Panto dream time Allan Stewart, Andy Gray, Grant Stott and Paul Elliot strike gold once again

(4 stars)8 Dec 2011

The great strength of the King’s panto, year upon year, is its ability to hook audiences of all ages and tastes. The script, co-written by Paul Elliott and everyone’s favourite dame, Allan Stewart, features great dollops of slapstick and toilet humour…

Liam Rudden of the Brunton Theatre’s Aladdin - interview

Liam Rudden of the Brunton Theatre’s Aladdin - interview

The writer-director shares his insight into the panto-creating process

6 Dec 2011

What are the challenges of adapting such a well-known story? The biggest challenge is ensuring that the narrative is not lost in amongst all the routines, gags and songs. Finding the right routines and songs to advance the story is crucial. How does…

The White Rose and the Red Rose

St Andrew's Day - The best art from Scotland

Our editors pick highlights from Scottish art through history

25 Nov 2011

Virtually unknown until the late 1940s The Reverend Robert Walker Skating on Duddingston Loch (to give the full name of the painting more commonly known as The Skating Minister) is now something of a Scottish cultural icon. The image was created by…

Top Hat

Top Hat

Loving tribute to the Fred'n'Ginger classic, starring Tom Chambers and Summer Strallen

(4 stars)24 Nov 2011

According to legend, screen hoofer Fred Astaire was such a perfectionist that, during the 40th take of a scene from Swing Time (1936), his partner Ginger Rogers’ feet started to bleed through her satin slippers. In this stage adaptation of one of…

Scottish National Portrait Gallery in Edinburgh reopens

Scottish National Portrait Gallery in Edinburgh reopens

Three-year rejuvenation makes collection more accessible

18 Nov 2011

It’s a starry night in early November, and I’m about to get my first taster of the newly refurbished Scottish National Portrait Gallery. The imposing sandstone building that sprawls across an entire block of Edinburgh’s Queen Street has been closed…

South Pacific

South Pacific

New York revival with refreshing emphasis on character in Rodgers and Hammerstein classic

(4 stars)15 Nov 2011

Rodgers and Hammerstein’s Pulitzer-winning musical set in and around a US naval base during World War II includes so many songs that have become standards that the plot seems almost surplus to requirements. You can almost feel the smiles of recognition…

Gayle Chong-Kwan: The Obsidian Isle - interview

Gayle Chong-Kwan: The Obsidian Isle

The photographer talks about her latest exhibition, inspired by the blind third century poet Ossian

15 Nov 2011

The Obsidian Isle documents a fictional island on which exist Scotland’s lost and destroyed buildings and places. What inspired this? As part of a photography award I received in 2009 I had the opportunity to travel extensively throughout Scotland. I…

27

27

Abi Morgan explores tensions between faith and science in a fascinating but frustrating new play

(3 stars)3 Nov 2011

The tensions that lie beneath the serene surface of convent life have proved fertile territory for writers and dramatists down the years, from Powell and Pressburger’s psychological horror Black Narcissus to Muriel Spark’s Watergate satire The Abbess of…

Hiding in Full View - Alison Watt interview

Hiding in Full View - Alison Watt interview

The painter discusses her latest exhibition, a response to American photographer Francesca Woodman

21 Oct 2011

What first made you want to be a painter? My father is a painter, so the idea of looking at and making paintings has always been a very normal and natural activity for me. The place I felt most at home as a child was in my father’s studio. It seemed to…

Saturday Night - Tramway, Glasgow, Sat 8 Oct 2011

Saturday Night - Tramway, Glasgow, Sat 8 Oct 2011

Vanishing Point's Interiors follow-up explores similar themes but lacks direction

(3 stars)21 Oct 2011

Vanishing Point’s lovely, imaginative 2009 work, Interiors, revolved around a disparate group of characters at a dinner party. As the audience were cast in the role of voyeurs spying through lit windows the scene was played out in complete silence, the…

Apocalypse! - John Clancy's 'glamorously ugly cabaret'

Apocalypse! - John Clancy's 'glamorously ugly cabaret'

Cabaret at the end of the world takes aim at complacency and hypocrisy

(3 stars)21 Oct 2011

There’s an inspired idea at the heart of John Clancy’s ‘glamorously ugly cabaret’, that, with a couple of tweaks and the right home, could develop into a truly anarchic calling card for new Scottish company The Occasional Cabaret. The premise of a…

Central Station: Charlie Anderson

Central Station: Charlie Anderson

Provocative rising artist with an eye on contemporary culture

21 Oct 2011

Since graduating in 2009, Charlie Anderson has pissed off art collectors, curators, graffiti writers, three world-renowned artists, been threatened by a leading London gallerist, and has been punched in the face by an Edinburgh artist. He has also won…

The Hunted - Brunton Theatre, Musselburgh, Sat 15 Oct 2011

The Hunted - Brunton Theatre, Musselburgh, Sat 15 Oct 2011

Enjoyably scary but slightly confused fairy tale mashup

(3 stars)20 Oct 2011

At first glance the new production from acclaimed young person’s company Visible Fictions seems a straightforward, if well-crafted, thriller, perfect for the spooky season. A wolf is at large, preying on the residents of a timeless fairy tale village.

Mary Queen of Scots Got Her Head Chopped Off

Mary Queen of Scots Got Her Head Chopped Off

Timely revival of Liz Lochhead's seminal allegorical play

(4 stars)21 Sep 2011

Liz Lochhead’s powerful, playful dissection of a key chapter in Scotland’s history may have debuted at the height of the Thatcherite 80s, but the play’s central themes – the pernicious effects of sectarianism, the Scots’ complex relationship with our…

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