What Writer Issue

Visual Art, Issue 583

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Hitlist - The best exhibitions

Hitlist - The best exhibitions

16 Aug 2007

• David Rokeby: Silicon Remembers Carbon The Canadian-born installation artist brings a collection of interactive works together to create his first major Scottish show and retrospective at the CCA. Work on show includes the pioneering sound…

Hitlist - The best Festival art

Hitlist - The best Festival art

16 Aug 2007

Richard Long: Walking and Marking As one of this country’s important land artists, long takes over the SNGMA with works that record and relate to his treks around the world. Paintings and photographs fill the gallery, as sculptures and land art…

JR Ewen

JR Ewen

16 Aug 2007

AK Can you tell me about the work you’ll be exhibiting? JRE My work will include a small video piece and fabric compositions based on women’s costume. Bodices, boned supports for gowns, modern BDSM clothing lend a structure for the designs. The…

Michael Craik: Razed to the Ground

Michael Craik: Razed to the Ground

16 Aug 2007

There can be an arresting intimacy in small paintings. The artist’s relationship becomes that much closer and more private, the intentions more modest. Certainly this seems to be part of the appeal of Michael Craik’s most recent works, all of which are…

Richard Long: Walking and Marking

16 Aug 2007

Even at 60, Richard Long is a towering, physical man. He has trekked across the Sahara, Lapland, and the Himalayas, crossed Ireland in 12 days and lost himself in the Gobi desert and the Norwegian wilderness. For the past 40 years Long has been making…

Sally Osborn

Sally Osborn

16 Aug 2007

It seems that low-impact art can sometimes hit the hardest. Minimalist canvases can cause an immediate reaction that seems to contradict the apparently modest intentions of the artist. Often you do not need bold brushstrokes or controversial subject…

William Eggleston: Portraits 1974

William Eggleston: Portraits 1974

16 Aug 2007

No matter what decade you were brought up in, the 1970s are absolutely dripping with glossy, honey-hued nostalgia. And it’s exactly this kitschy, colour-saturated era that William Eggleston has captured in his 1974 photographs on show at Inverleith…

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