Theatre and Mark Fisher

Interview: Alan Cumming on staging a one-man Macbeth

Aberfeldy’s most famous son on the toil and trouble of Shakespeare

25 May 2012

How much doom and gloom can one man take? For most actors, it would be enough of a mental burden to take on the role of Macbeth, the warrior king whose ambition leads to self-destruction. But for Alan Cumming, that’s only the start of it. In a new…

Mark Fisher on The Edinburgh Fringe Survival Guide

Theatre critic's book of essential advice to aspiring Fringe performers

1 Feb 2012

1 Choosing a title takes ages It’s as straightforward as they come, yet The Edinburgh Fringe Survival Guide was a title born of months of discussion. The subtitle, How to Make Your Show a Success, was arrived at no quicker. My editor couldn’t believe…

Preview of 2012 - King Lear

New Citizens Theatre boss Dominic Hill brushes up his Shakespeare

6 Jan 2012

Take on the Citizens Theatre and you take on the past. Any artistic director of the Glasgow institution can only be aware of the building’s history. Opened as the Royal Princess’s Theatre in 1848, it became home to James Bridie’s Citizens’ company in…

Theatre critic Mark Fisher on the Shakespeare productions planned for 2012

Alan Cumming, David Hayman and more to stage the Bard next year

13 Dec 2011

In 1964, the Polish critic Jan Kott published Shakespeare, our Contemporary. The book caused a stir for framing a long-dead playwright through the lens of 20th century totalitarianism. Director Peter Brook was delighted to find a commentator who could…

Jackie and the Beanstalk

Johnny McKnight's panto manages to entertain while challenging traditional gender roles

7 Dec 2011

According to panto dame Dott Von Trott, things have got so bad in the austerity-stricken pantosphere that ‘parents in Bridge of Allan have started firing their nannies and learning their own kids’ names’. Serious times indeed, and there’s something…

Theatre director Vicky Featherstone discusses Abi Morgan-penned drama 27

The play examines themes of aging, loneliness, faith and science

20 Oct 2011

‘You’re such a journalist,’ says Vicky Featherstone when I ask her whether 27 is going to ruffle feathers among scientists and Christians. The play is, after all, about a crisis of faith in a convent provoked by a scientist’s request to study the nuns…

Liz Lochhead discusses her new play, Edwin Morgan's Dreams – and Other Nightmares

The new production will premiere at this year's Glasgay! festival

21 Sep 2011

It’s a sprightly Liz Lochhead who comes into Edinburgh’s Urban Angel for a breakfast coffee – latte with an extra shot – in the midst of a typically whirlwind calendar of deadlines, poetry readings and confabs with theatre directors. This summer she had…

Saturday Night

Matthew Lenton and Vanishing Point further explore the themes of 2009's Interiors

13 Sep 2011

In 2009, one play dominated the Critics’ Awards for Theatre in Scotland. Picking up the gongs for best director, ensemble and production, Interiors by Glasgow’s Vanishing Point was a performance of startling originality. Inspired by a play by Maurice…

A Day in the Death of Joe Egg

Theatre director Phillip Breen discusses forthcoming adaptation of Peter Nichols' play

13 Sep 2011

Phillip Breen is only 32, but already he has the honour of straddling three regimes at the Citz. Straight out of university in 2003, he was taken on by Philip Prowse to direct The Resistible Rise of Arturo Ui, returning at the invitation of Jeremy…

One Thousand and One Nights

Flagship EIF production feels like a rediscovery of a lost classic

22 Aug 2011

There’s a tremendous life force pulsating through director Tim Supple’s reclamation of these ancient folk tales. It’s a life force that exists, most palpably, for Houda Echouafni’s Shahrazad, whose survival depends on her ability to spin a yarn and…

(g)Host City

Edinburgh audio tours from spoken word performers

18 Aug 2011

First thing in the morning, I’m standing on top of Calton Hill looking out to Arthur’s Seat, Princes Street and the Pentlands. It’s a view I never tire of, but on my headphones Jenny Lindsay is giving a different message. ‘Edinburgh, you old tart,…

Und

Tough play with the meaning stressed out

17 Aug 2011

Howard Barker is a playwright loved by academics for the challenges thrown down by his knotty ‘theatre of catastrophe’ and by actors for the chance to get their tongues round his muscular language. His writing is tough, poetic and…

Emergence

Death becomes the Pachamamas

17 Aug 2011

It’s always tricky to deal with grief on stage. By its nature, it is an emotion that comes after the fact, making an audience feel it has missed out on the main event. It cannot be resolved in the way any other dramatic conflict is resolved. This…

The Golden Dragon

Global stories to take away

12 Aug 2011

Roland Schimmelpfennig’s 2009 play, a bit hit in Germany, is a gift for a director. His characters are blank canvases with names such as ‘The Young Woman’ and ‘The Man Over 60’. Much of their dialogue is written in the third person, stage directions…

Allotment

Sweetly observed play taking place on a real allotment with free cup of tea

11 Aug 2011

Whatever happens to Dora and Maddy, the chalk-and-chips sisters at the heart of Jules Horne’s sweetly observed play, you know they will be outlived by their surroundings. The soil beneath their feet, the weeds that have persisted for millions of years…

Man of Valour

Mime and punishment

8 Aug 2011

Haven’t we been through this before? Wasn’t it some time in the 1970s we stopped being dazzled by mime artists? Didn’t we pretty quickly realise the means of telling a story are never as interesting as the story itself? It seems not in the case of…

101

Group hugs, cult chants and it’s all your fault

8 Aug 2011

Back with three new immersive scenarios after causing a stir last year, the 101 team show just how compelling theatre can be with the most elementary of resources. No special effects, no set, scarcely anything you’d call a costume and yet the young…

Elegy

Moving story of a flight from persecution

8 Aug 2011

The last time Douglas Rintoul was in Scotland was to direct a revival of David Greig’s Europe at Dundee Rep. There’s something of the flavour of that migratory play in this powerful production for the internationally minded Transport company, as actor…

The One Man Show

Late-night high-tech deconstruction with Jaffa Cakes

5 Aug 2011

So post-modern it hurts, The One Man Show is a piece of theatre about watching a piece of theatre. It has a mysterious start, a set of emotional states, a philosophical moment where we cough and eat sweets, a cheesy musical interlude and a point when we…

Uncompromising take on One Thousand and One Nights at 2011 EIF

Centrepiece theatre production of Edinburgh International Festival 2011

7 Jul 2011

It begins in classic once-upon-a-time style. 'A long, long time ago lived two kings who were brothers,' goes the opening line of One Thousand and One Nights. 'The elder, King Shahrayar, ruled India and Indochina. The younger, Shahzaman, ruled…

Theatre, music and dance highlights from the 2011 Edinburgh International Festival

The Wind-Up Bird Chronicle, Semiramide and King Lear among picks

7 Jul 2011

The Edinburgh International Festival (EIF) has been a benchmark for quality and innovation in the performing arts since its inauguration nearly 65 years ago. This year artistic director Jonathan Mills builds his programme around the multi-faceted…

Preview: Dennis Kelly's After the End to be staged by both the Citz and Dundee Rep

25 Apr 2011

When actors Jonathan Dunn and Nicola Daley take their final curtain call in June, they will say goodbye to After the End. But fear not. After the end of that After the End, it will be time for another After the End. That’s because, in a rare moment…

Ivan and the Dogs explores notion of feral children

Theatre piece based on true story of Ivan Mishukov

18 Mar 2011

You wait 18 months for a play about feral children, then two come along at once. Not since NIE’s My Life with the Dogs in the 2009 Edinburgh Fringe have we heard the true story of Ivan Mishukov, a four-year old boy from Moscow who lived with a pack of…

The rising stars of Scottish theatre

Interviews with Helen Darbyshire, Gary McNair, Gemma McElhinney, Katy Wilson and Scott Fletcher

7 Mar 2011

Helen Darbyshire Age: 22 Where will I know her from? She’s on Dundee Rep’s graduate scheme, which gives a year-long contract to promising actors straight out of college. Brought up in nearby Cupar, she introduced herself to Dundee audiences in a minor…

Sir Derek Jacobi ready to tackle role of King Lear

Michael Grandage director builds production around 72-year-old actor

24 Feb 2011

‘You would never do Lear without an actor in mind,’ says Michael Grandage. The outgoing director of London’s Donmar Warehouse has had just such an actor in mind for several years. He has built his acclaimed production of Shakespeare’s great tragedy…

Production of Mother Courage and her Children set for tour

Alison Peebles tackles Bertolt Brecht’s study of economic survival

24 Feb 2011

‘She’s like a lioness with her cubs – she keeps them close,’ says Alison Peebles preparing to take on the formidable title role of Mother Courage, the powerhouse at the heart of Bertolt Brecht’s study of economic survival in the 30 Years’ War. She is a…

Just Checking charts bride-to-be whose OCD is getting the better of her

Very physical piece from Taggart actor

16 Feb 2011

For an actor, no job is for life. Not even when you’re the star of Britain’s longest running cop show. So when Blythe Duff (aka DI Jackie Reid) found herself in between series of Taggart in 2009, she thought it would be prudent to have another string to…

The Rise and Fall of Little Voice set for Dundee Rep

Classic Ugly Duckling story of a young person overcoming life’s obstacles

11 Feb 2011

It was good news for Helen Darbyshire when she checked in with the voice doctor. Before committing to the part of Little Voice in Jim Cartwright’s play, she wanted to be sure her vocal chords were up to the task. This is a character whose pathological…

Manipulate festival - Puppetry and animation festival avoids the P word

Traverse season features cult animation and visually arresting films

14 Jan 2011

Simon Hart is trying not to use the P word. When he describes his annual Manipulate festival, he prefers to call it a celebration of visual theatre (with the teasing strap line: ‘innovative theatre arts for consenting adults’) than to say anything about…

The Story Of How We Came To Be Here ...

Joanne Tatham and Tom O’Sullivan make move from visual art to theatre

23 Nov 2010

The Story Of How We Came To Be Here, What We Did Before We Got Here, How You Have Forgotten Why You Asked Us Here And Why We Cannot Remember Why We Came, Or: Is This What Brings Things Into Focus? Every time Joanne Tatham and Tom O’Sullivan submit a…

Sea and Land and Sky historically unconvincing despite wartime diary source

Pretty speeches have little narrative momentum

27 Oct 2010

‘The only thing that scares us is a dying child,’ says Carmen Pieraccini as Lily, a Scottish nurse facing a burning village on the World War II frontline. It is an image of wartime heroism we are not used to seeing. In Abigail Docherty’s play, winner of…

Jeremy Raison's production of A Clockwork Orange

Swansong show from Citizens Theatre director

29 Sep 2010

Jeremy Raison says one of his favourite films is Brazil. Terry Gilliam’s masterpiece is part of a sub-genre known as ‘retro-futurism’, as if someone in the 1940s had predicted what the 1980s would be like. For Raison, who is directing A Clockwork…

Alison Peebles on how theatre show Dirty Paradise was inspired by Gabriel Garcia Marquez

23 Sep 2010

Alison Peebles tells Mark Fisher how a Gabriel Garcia Marquez story opened up a world of auditory hallucinations

Creator of Trilogy returns with new play Fatherland, Motherland

New play from Nic Green at Arches Live

16 Sep 2010

Ask Nic Green where she thinks of as home and she has an immediate, if surprising, answer. ‘Nowhere,’ she says. ‘This is the problem.’ The creator of the celebrated Trilogy (returning to the Arches in November for a brief run) which prompted feminist…

Porgy and Bess

French company take Porgy and Bess to the Deep South

22 Aug 2010

When Opera de Lyon’s Porgy and Bess is remembered, it will be for the extraordinary multimedia staging by the directorial double-act of Jose Montalvo and Dominique Hervieu. It isn’t only that we get 50-odd performers on stage - the dancers giving it…

The Edinburgh Fringe shows taking human trafficking as a theme

Roadkill and Lost Boy amongst Fringe shows telling refugees' stories

29 Jul 2010

A celebrity endorsement works wonders for your box office and all power to Shatterbox for getting Emma Thompson to put her name to its production of Fair Trade. But that show is only the most high profile in an unprecedented wave of Fringe productions…

Little Black Bastard deals with horrific Australian childhood

Noel Tovey puts disturbing past of poverty and crime on stage

29 Jul 2010

It is the ultimate rags to riches story. Yet the tale Noel Tovey tells about himself is more distressing than any version of Cinderella. It is a narrative that shocked even his closest friends when he chose to tell it to the world in Little Black…

More Light Please delivers emotional take on economic migration

One-woman Fringe show drawn from experience of moving from Poland to Ireland

27 Jul 2010

Natalia Kostrzewa is sitting in the courtyard of Warsaw’s Teatr Praga, enjoying the early evening air. She’s just performed her one-woman show, More Light Please, drawn from her experiences of moving to Ireland, and is delighted to have delivered it in…

Freefall captures mood of bewilderment moments before death

Dublin theatre group's Fringe show captures mood of the times

27 Jul 2010

It would be misleading to say the latest play by Dublin’s Corn Exchange was about the credit crunch, the collapse of the Celtic Tiger and the scandals within the Catholic church, but those events were playing out when Freefall was created last year and…

Diciembre finds dark humour in Chile's Pinochet years

Teatro en el Blanco go back to basics with politically engaging EIF production

16 Jul 2010

The Pinochet years continue to leave a deep scar on the Chilean psyche. Playwright Guillermo Calderón tells Mark Fisher why Diciembre tackles some dark memories but still finds humour in his nation’s tortured past

Ontroerend Goed bring Teenage Riot to the Edinburgh Fringe

Renowned Belgian theatre group explores teenage angst

15 Jul 2010

Everyone who visits Alexander Devriendt in the rehearsal room says he must be crazy. He is 33 years old, yet he thrives on working with the most exuberant of teenagers. ‘It’s not about wanting to stay young, I don’t think about it,’ says the Belgian…

Five theatre shows from the continent at the Edinburgh Fringe

15 Jul 2010

More Light Please Polish actor Natalia Kostrzewa stars in her own one-woman play (co-written by Jerzy Lach) about economic migration. The production by Teatr Praga is in English and features music by the Tiger Lillies. New Town Theatre, George…

Peter Brook's 11 and 12 marks director's return to the Glasgow and Tramway he transformed

22 Mar 2010

Let’s start with some history. Throughout the 20th century, Glasgow was as dangerous as it was dreich. You couldn’t leave your tenement slum without being stabbed. It was a bonus if you avoided a head-butting. A trip to the steamie or even to your…

The National Review of Live Art 30th anniversary

25 Feb 2010

It all seems wrong. The National Review of Live Art has built its reputation on change. It never looks back and never stays still. The annual bonanza of what used to be called the avant garde has doggedly embraced the disconcerting, the deviant and the…

Primary School Musical

17 Dec 2009

Fed up with the me-me-me narcissism of High School Musical? Hankering for the chutzpah of Bugsy Malone? Longing to see a song-and-dance show that has a built-in call to political action? Well, the opportunity is here with Primary School Musical, a…

The Silver Darlings

3 Sep 2009

There’s something cinematic about Kenny Ireland’s staging of the Neil M Gunn novel, adapted here by Peter Arnott. It’s in the sepia photographs of crofts, brochs and cliffs that form a backdrop to Hayden Griffin’s open set of layered coastal rock. It’s…

If That’s All There Is

Cynical piece of work

24 Aug 2009

Less a play than a series of sketches, this show created by Inspector Sands is about a couple of maladjusted professionals approaching their wedding day. Wittily staged, it has some good gags about the bureaucratic mindset, but it is ultimately a…

The Doubtful Guest

The Gorey details

20 Aug 2009

That Hoipolloi’s staging of the Edward Gorey fable is entertainingly done is without question. It is not only an adaptation of this story about a pointy-faced creature in white canvas shoes who takes residence in a grand country mansion, but also an…

East 10th Street: Self Portrait with Empty House

Three storeys of NYC stories

13 Aug 2009

Edgar Oliver will not be the only actor taking on the Everyman persona this August. Like innumerable stand-up comics and solo performers, he presents himself as the still centre of a chaotic world. By identifying with him, we can share his strange…

Funny

An inability to see the potential in a great idea

12 Aug 2009

There’s a great idea behind Tim Nunn’s new play for Glasgow’s Reeling & Writhing about the army’s use of humour to interrogate suspects. Instead of tackling the clash of comedy and combat head on, however, the playwright gets distracted by his…