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Theatre and Mark Fisher

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Interview: Alan Cumming on staging a one-man Macbeth

Interview: Alan Cumming on staging a one-man Macbeth

Aberfeldy’s most famous son on the toil and trouble of Shakespeare

25 May 2012

How much doom and gloom can one man take? For most actors, it would be enough of a mental burden to take on the role of Macbeth, the warrior king whose ambition leads to self-destruction. But for Alan Cumming, that’s only the start of it. In a new…

Mark Fisher dicusses The Edinburgh Fringe Survival Guide

Mark Fisher on The Edinburgh Fringe Survival Guide

Theatre critic's book of essential advice to aspiring Fringe performers

1 Feb 2012

1 Choosing a title takes ages It’s as straightforward as they come, yet The Edinburgh Fringe Survival Guide was a title born of months of discussion. The subtitle, How to Make Your Show a Success, was arrived at no quicker. My editor couldn’t believe…

Preview of 2012 - King Lear

Preview of 2012 - King Lear

New Citizens Theatre boss Dominic Hill brushes up his Shakespeare

6 Jan 2012

Take on the Citizens Theatre and you take on the past. Any artistic director of the Glasgow institution can only be aware of the building’s history. Opened as the Royal Princess’s Theatre in 1848, it became home to James Bridie’s Citizens’ company in…

Theatre critic Mark Fisher casts his eye over the Shakespeare productions planned for 2012

Theatre critic Mark Fisher on the Shakespeare productions planned for 2012

Alan Cumming, David Hayman and more to stage the Bard next year

13 Dec 2011

In 1964, the Polish critic Jan Kott published Shakespeare, our Contemporary. The book caused a stir for framing a long-dead playwright through the lens of 20th century totalitarianism. Director Peter Brook was delighted to find a commentator who could…

Jackie and the Beanstalk

Jackie and the Beanstalk

Johnny McKnight's panto manages to entertain while challenging traditional gender roles

(4 stars)7 Dec 2011

According to panto dame Dott Von Trott, things have got so bad in the austerity-stricken pantosphere that ‘parents in Bridge of Allan have started firing their nannies and learning their own kids’ names’. Serious times indeed, and there’s something…

Theatre director Vicky Featherstone discusses Abi Morgan-penned drama 27

Theatre director Vicky Featherstone discusses Abi Morgan-penned drama 27

The play examines themes of aging, loneliness, faith and science

20 Oct 2011

‘You’re such a journalist,’ says Vicky Featherstone when I ask her whether 27 is going to ruffle feathers among scientists and Christians. The play is, after all, about a crisis of faith in a convent provoked by a scientist’s request to study the nuns…

Liz Lochhead discusses her new play, Edwin Morgan's Dreams – and Other Nightmares

Liz Lochhead discusses her new play, Edwin Morgan's Dreams – and Other Nightmares

The new production will premiere at this year's Glasgay! festival

21 Sep 2011

It’s a sprightly Liz Lochhead who comes into Edinburgh’s Urban Angel for a breakfast coffee – latte with an extra shot – in the midst of a typically whirlwind calendar of deadlines, poetry readings and confabs with theatre directors. This summer she had…

Saturday Night

Saturday Night

Matthew Lenton and Vanishing Point further explore the themes of 2009's Interiors

13 Sep 2011

In 2009, one play dominated the Critics’ Awards for Theatre in Scotland. Picking up the gongs for best director, ensemble and production, Interiors by Glasgow’s Vanishing Point was a performance of startling originality. Inspired by a play by Maurice…

A Day in the Death of Joe Egg

A Day in the Death of Joe Egg

Theatre director Phillip Breen discusses forthcoming adaptation of Peter Nichols' play

13 Sep 2011

Phillip Breen is only 32, but already he has the honour of straddling three regimes at the Citz. Straight out of university in 2003, he was taken on by Philip Prowse to direct The Resistible Rise of Arturo Ui, returning at the invitation of Jeremy…

One Thousand and One Nights

One Thousand and One Nights

Flagship EIF production feels like a rediscovery of a lost classic

(4 stars)22 Aug 2011

There’s a tremendous life force pulsating through director Tim Supple’s reclamation of these ancient folk tales. It’s a life force that exists, most palpably, for Houda Echouafni’s Shahrazad, whose survival depends on her ability to spin a yarn and…

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