Theatre and Mark Fisher

Mark Fisher on The Edinburgh Fringe Survival Guide

Theatre critic's book of essential advice to aspiring Fringe performers

1 Feb 2012

1 Choosing a title takes ages It’s as straightforward as they come, yet The Edinburgh Fringe Survival Guide was a title born of months of discussion. The subtitle, How to Make Your Show a Success, was arrived at no quicker. My editor couldn’t believe…

Preview of 2012 - King Lear

New Citizens Theatre boss Dominic Hill brushes up his Shakespeare

6 Jan 2012

Take on the Citizens Theatre and you take on the past. Any artistic director of the Glasgow institution can only be aware of the building’s history. Opened as the Royal Princess’s Theatre in 1848, it became home to James Bridie’s Citizens’ company in…

Theatre critic Mark Fisher on the Shakespeare productions planned for 2012

Alan Cumming, David Hayman and more to stage the Bard next year

13 Dec 2011

In 1964, the Polish critic Jan Kott published Shakespeare, our Contemporary. The book caused a stir for framing a long-dead playwright through the lens of 20th century totalitarianism. Director Peter Brook was delighted to find a commentator who could…

Jackie and the Beanstalk

Johnny McKnight's panto manages to entertain while challenging traditional gender roles

7 Dec 2011

According to panto dame Dott Von Trott, things have got so bad in the austerity-stricken pantosphere that ‘parents in Bridge of Allan have started firing their nannies and learning their own kids’ names’. Serious times indeed, and there’s something…

Theatre director Vicky Featherstone discusses Abi Morgan-penned drama 27

The play examines themes of aging, loneliness, faith and science

20 Oct 2011

‘You’re such a journalist,’ says Vicky Featherstone when I ask her whether 27 is going to ruffle feathers among scientists and Christians. The play is, after all, about a crisis of faith in a convent provoked by a scientist’s request to study the nuns…

Liz Lochhead discusses her new play, Edwin Morgan's Dreams – and Other Nightmares

The new production will premiere at this year's Glasgay! festival

21 Sep 2011

It’s a sprightly Liz Lochhead who comes into Edinburgh’s Urban Angel for a breakfast coffee – latte with an extra shot – in the midst of a typically whirlwind calendar of deadlines, poetry readings and confabs with theatre directors. This summer she had…

Saturday Night

Matthew Lenton and Vanishing Point further explore the themes of 2009's Interiors

13 Sep 2011

In 2009, one play dominated the Critics’ Awards for Theatre in Scotland. Picking up the gongs for best director, ensemble and production, Interiors by Glasgow’s Vanishing Point was a performance of startling originality. Inspired by a play by Maurice…

A Day in the Death of Joe Egg

Theatre director Phillip Breen discusses forthcoming adaptation of Peter Nichols' play

13 Sep 2011

Phillip Breen is only 32, but already he has the honour of straddling three regimes at the Citz. Straight out of university in 2003, he was taken on by Philip Prowse to direct The Resistible Rise of Arturo Ui, returning at the invitation of Jeremy…

One Thousand and One Nights

Flagship EIF production feels like a rediscovery of a lost classic

22 Aug 2011

There’s a tremendous life force pulsating through director Tim Supple’s reclamation of these ancient folk tales. It’s a life force that exists, most palpably, for Houda Echouafni’s Shahrazad, whose survival depends on her ability to spin a yarn and…

(g)Host City

Edinburgh audio tours from spoken word performers

18 Aug 2011

First thing in the morning, I’m standing on top of Calton Hill looking out to Arthur’s Seat, Princes Street and the Pentlands. It’s a view I never tire of, but on my headphones Jenny Lindsay is giving a different message. ‘Edinburgh, you old tart,…

Und

Tough play with the meaning stressed out

17 Aug 2011

Howard Barker is a playwright loved by academics for the challenges thrown down by his knotty ‘theatre of catastrophe’ and by actors for the chance to get their tongues round his muscular language. His writing is tough, poetic and…

Emergence

Death becomes the Pachamamas

17 Aug 2011

It’s always tricky to deal with grief on stage. By its nature, it is an emotion that comes after the fact, making an audience feel it has missed out on the main event. It cannot be resolved in the way any other dramatic conflict is resolved. This…

The Golden Dragon

Global stories to take away

12 Aug 2011

Roland Schimmelpfennig’s 2009 play, a bit hit in Germany, is a gift for a director. His characters are blank canvases with names such as ‘The Young Woman’ and ‘The Man Over 60’. Much of their dialogue is written in the third person, stage directions…

Allotment

Sweetly observed play taking place on a real allotment with free cup of tea

11 Aug 2011

Whatever happens to Dora and Maddy, the chalk-and-chips sisters at the heart of Jules Horne’s sweetly observed play, you know they will be outlived by their surroundings. The soil beneath their feet, the weeds that have persisted for millions of years…

Man of Valour

Mime and punishment

8 Aug 2011

Haven’t we been through this before? Wasn’t it some time in the 1970s we stopped being dazzled by mime artists? Didn’t we pretty quickly realise the means of telling a story are never as interesting as the story itself? It seems not in the case of…

101

Group hugs, cult chants and it’s all your fault

8 Aug 2011

Back with three new immersive scenarios after causing a stir last year, the 101 team show just how compelling theatre can be with the most elementary of resources. No special effects, no set, scarcely anything you’d call a costume and yet the young…

Elegy

Moving story of a flight from persecution

8 Aug 2011

The last time Douglas Rintoul was in Scotland was to direct a revival of David Greig’s Europe at Dundee Rep. There’s something of the flavour of that migratory play in this powerful production for the internationally minded Transport company, as actor…

The One Man Show

Late-night high-tech deconstruction with Jaffa Cakes

5 Aug 2011

So post-modern it hurts, The One Man Show is a piece of theatre about watching a piece of theatre. It has a mysterious start, a set of emotional states, a philosophical moment where we cough and eat sweets, a cheesy musical interlude and a point when we…

Uncompromising take on One Thousand and One Nights at 2011 EIF

Centrepiece theatre production of Edinburgh International Festival 2011

7 Jul 2011

It begins in classic once-upon-a-time style. 'A long, long time ago lived two kings who were brothers,' goes the opening line of One Thousand and One Nights. 'The elder, King Shahrayar, ruled India and Indochina. The younger, Shahzaman, ruled…

Theatre, music and dance highlights from the 2011 Edinburgh International Festival

The Wind-Up Bird Chronicle, Semiramide and King Lear among picks

7 Jul 2011

The Edinburgh International Festival (EIF) has been a benchmark for quality and innovation in the performing arts since its inauguration nearly 65 years ago. This year artistic director Jonathan Mills builds his programme around the multi-faceted…

Preview: Dennis Kelly's After the End to be staged by both the Citz and Dundee Rep

25 Apr 2011

When actors Jonathan Dunn and Nicola Daley take their final curtain call in June, they will say goodbye to After the End. But fear not. After the end of that After the End, it will be time for another After the End. That’s because, in a rare moment…

Ivan and the Dogs explores notion of feral children

Theatre piece based on true story of Ivan Mishukov

18 Mar 2011

You wait 18 months for a play about feral children, then two come along at once. Not since NIE’s My Life with the Dogs in the 2009 Edinburgh Fringe have we heard the true story of Ivan Mishukov, a four-year old boy from Moscow who lived with a pack of…

The rising stars of Scottish theatre

Interviews with Helen Darbyshire, Gary McNair, Gemma McElhinney, Katy Wilson and Scott Fletcher

7 Mar 2011

Helen Darbyshire Age: 22 Where will I know her from? She’s on Dundee Rep’s graduate scheme, which gives a year-long contract to promising actors straight out of college. Brought up in nearby Cupar, she introduced herself to Dundee audiences in a minor…

Sir Derek Jacobi ready to tackle role of King Lear

Michael Grandage director builds production around 72-year-old actor

24 Feb 2011

‘You would never do Lear without an actor in mind,’ says Michael Grandage. The outgoing director of London’s Donmar Warehouse has had just such an actor in mind for several years. He has built his acclaimed production of Shakespeare’s great tragedy…

Production of Mother Courage and her Children set for tour

Alison Peebles tackles Bertolt Brecht’s study of economic survival

24 Feb 2011

‘She’s like a lioness with her cubs – she keeps them close,’ says Alison Peebles preparing to take on the formidable title role of Mother Courage, the powerhouse at the heart of Bertolt Brecht’s study of economic survival in the 30 Years’ War. She is a…