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2 Apr 2009
A quick glance at the poster for Jan Fabre’s latest show, Orgy of Tolerance tells you the Belgian artist clearly isn’t afraid to push people’s buttons. On it, a bearded, long-haired performer stands wearing Y-fronts, a gold-link chain and a crucifix…
PREVIEW STAGE ADAPTATION Nineteen years after his death, Roald Dahl remains as popular as ever with the bedtime crowd. Charlie and the Chocolate Factory, James and the Giant Peach, The Witches – the list goes on, each of them bringing delight to…
CLASSIC The prospect of Patrick Stewart and Ian McKellen sharing a stage as the leads in Samuel Beckett’s Waiting for Godot is both thrilling and slightly intimidating. The two thesps have known each other since the mid-1970s when they were members…
The large scarlet doors marking the entrance to the former Lawson’s Timber retail site on Edinburgh’s Lady Lawson Street look innocuous enough. What the guidebooks don’t tell you is that this is actually a portal to another world. Behind the Big Red…
MUSICAL Kander and Ebb’s signature musical beautifully harnesses source material by Christopher Isherwood to recreate the exhilarating debauchery of Weimar Berlin, shot through with punchy reminders of the Nazis’ rise to power. This award-winning…
AMERICAN DRAMA In Sam Shepard’s still-relevant 1978 black comedy we meet an alcoholic father (Christopher Fairbank) whose violence towards the structure of his own dirt-poor rural house looks like threatening put-upon wife (Carla Mendonca). Her…
The award-winning Glasgow crime writer takes time out of from her play, short story and novel writing to set her stall on home turf and talk about her collection of works, including her newest, Still Midnight. Thu 16 Apr, Lost in Fiction, 114 Byres…
Theatre, it’s fair to say, suffers from an image problem. Despite being an utterly flexible and inventive art form, most people still associate ‘theatre’ with a red plush seat and the passive consumption of a story for two hours (perhaps pausing briefly…
BALLET With the news that Scottish Ballet is returning to the Edinburgh International Festival this year, and its new home at Tramway nearing completion, the company has never been in finer fettle. When he first arrived at Scottish Ballet, artistic…
NEW WORK We’ve all seen those moments when a friend wants to stay in the pub for an inordinate length of time, less for the need to drink than for pure companionship. Matthew Lenton, artistic director of Vanishing Point is looking toward that sense…
EIF artistic director, Jonathan Mills, referred to the ‘menace and magic’ of this year’s festival programme, as he unveiled the highlights last week. In keeping with 2009’s Homecoming celebrations the Edinburgh International Festival launched works rich…
PREVIEW FESTIVAL Tall oaks from little acorns grow, and the Puppet Animation Festival has grown into quite an oak. From humble beginnings at the Netherbow Theatre in Edinburgh, the Festival has spread its seeds to cover the entire country. In 1984…
DANCE THEATRE When mental instability is spread across the front covers of Heat and Hello, it’s easy to forget that a real human lies being behind the mask of celebrity. Deconstructing the desire to be famous – and the pleasures and pitfalls it can…
LITERARY ADAPTATION You can see what attracted Ian McDiarmid to Andrew O’Hagan’s novel Be Near Me. The tale of a cultured, flawed priest who takes over a small parish in a stagnating Ayrshire community, becomes enchanted by a shrewd but low-achieving…
14 articles.
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