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Tony Roper's washhouse comedy about the relationships between a group of working women as they rush to finish their work before the New Year bells, now celebrating its 25th anniversary.
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18 Sep 2008
Some years ago, I attended a conference where a debate about the work of Tennessee Williams came very nearly to blows. The bone of contention involved Cat on a Hot Tin Roof, in which the character Brick confesses an attraction to a friend that surpasses…
What does the word ‘collaboration’ make you think of? Director Lorne Campbell thought he knew until he tried it for himself. ‘You think of something cosy and cuddly,’ he says. ‘But this has been really hard. We’re still friends, still happy and excited…
NEW PLAY The Scottish Government’s Homecoming programme is not until next year, but Ioanna Anderson is getting in early. At the age of 38, she’s planning to move back to her native Edinburgh after spending the best part of 20 years in Ireland, where…
CLASSIC It’s an austere landscape through which Ann Louise Ross drags her cart, scratching a living in the title role of Bertolt Brecht’s epic. Naomi Wilkinson’s set is a wall of grim metal panels, the stage a carpet of grey. Even the iconic cart is…
REVIVAL Bringing farce to the fore, Michael Frayn’s 80s parody is touring once again, revealing the merry antics of a second-rate theatre company both on and off stage as it struggles with its ludicrous sex comedy, Nothing On. Nestling at the core…
Alan Wilkins triumphed in this year’s Critics’ Awards for Theatre in Scotland as the author of Carthage Must Be Destroyed, a knotty drama about the political mindset. Now he’s teamed up with Glasgow’s Birds of Paradise, a company dedicated to putting…
MUSICAL In 1964, when Mary Poppins opened at the cinema, it immediately amassed an army of fans. One woman, however, was distinctly unimpressed by the all-singing, all-dancing Disney adaptation – the novel’s author, PL Travers. Thirty years later…
NEW PLAY Drawing a dazzling trail of four and five-star reviews since its world premiere at the Edinburgh Festival Fringe last year, Follow Me is a sparsely staged emotive tale about Ruth Ellis, the last woman hanged in Britain, which has arrived on…
REVIVAL Following its 32-week sell-out nationwide tour of Abigail’s Party, London Classic Theatre returns to Musselburgh with Charlotte Jones’ award-winning Humble Boy. Artistic director Michael Cabot has mixed memories of his last visit to Scotland…
CLASSIC On the surface, Lucy Pitman-Wallace’s Macbeth is set up brilliantly. Set in medieval Scotland – as opposed to modern gun-slinging versions – we see a wild, desolate land; large wooden beams rising into the air, creating a fortress around…
Voted Scotland’s favourite novel after the publication of The List’s 100 Best Scottish Books of all Time in 2005, Lewis Grassic Gibbon’s Sunset Song is a work that soars above its set-text status. In the first in-house production by Aberdeen’s His…
Although billed as a theatre festival, the Arches’ annual celebration of performers who are ‘determined to subvert and surprise’ is just as likely to delight art-lovers, many of the events crossing the boundary between performance and installation. One…
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