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1 Aug 2007
That the most expensive comedy ever made should be a sequel to a disposable Jim Carrey timewaster, with Carrey not even featuring in the cast, suggests an error of biblical proportions in the judgement of Universal executives...
Back on form after 2003’s underwhelming Twentynine Palms, celebrated French filmmaker Bruno Dumont (La Vie de Jésus, L’Humanité) returns with a withering and unforgettable vision of small town love filtered through the brutality of an unknown desert war.
Lazy listeners may compare her to Lily Allen, but the more we hear about this Harrow-based singer-songwriter, the more we find her making her own eccentric mark on the music scene.
Chilean Raul Ruiz is one of the most remarkable avant-garde filmmakers working today. Having exited Chile after the Allende assassination he found a home in Paris and made a series of films that played with narrative structure and form in a manner…
Although his official biog describes one-time Glasgow School of Art student and Big Dish frontman Steven Lindsay as ‘more Damien Hirst than Damien Rice’, the latter artist is really the perfect comparison.
Having first been patronised by Oasis and now benefiting from a support slot on Arctic Monkeys’ summer tour, The Coral seem like a band who are destined to live in the shadow of those who define their era.
As the tenth anniversary of Diana’s violent death roars into view, the memorial overload is being cranked up on TV and in the papers. Amid the raft of paperback biographies, we’ve even had a couple of novels which dramatise her death.
The ultimate Viking rock raiding party, Turbonegro are here for your women (and boys), drugs and booze. Norway’s premier deathpunk act plays fast and loose with their morals and their riffs.
Drawn fully from the diverse and brilliant stable at Domino records, the soundtrack to David Mackenzie’s forthcoming Scot flick Hallam Foe could hardly go far wrong.
n these heady days of nu rave saturation, when it is once again acceptable to be seen gurning while clutching a glo-stick, it’s easy to forget that there were indie-dance bands long before the NME reached for its big book of genres.
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