Macbeth

Interview: Alan Cumming on staging a one-man Macbeth

Aberfeldy’s most famous son on the toil and trouble of Shakespeare

25 May 2012

How much doom and gloom can one man take? For most actors, it would be enough of a mental burden to take on the role of Macbeth, the warrior king whose ambition leads to self-destruction. But for Alan Cumming, that’s only the start of it. In a new…

New production Lady M re-examines Macbeth

Mary McClusky discusses The Scottish Play's continuing relevance to modern audiences

16 Apr 2012

As artistic director of Scottish Youth Theatre and a frequent contributor to Oran Mor’s Classic Cuts season, Mary McCluskey is no stranger to slimming down a Shakespeare play to its essential components. And in the year of the World Shakespeare…

The Curse of Macbeth

Great staging, shame about the acting

8 Aug 2011

From the knife-wielding thugs that welcome you into the venue, it’s clear that this production of Macbeth is going to be bold, brash and in your face. And in those terms the show doesn’t disappoint. Its striking design – all bloodstained mirrors and dry…

Steven Berkoff interview - Oedipus set for Edinburgh Festival Fringe 2011

Anita Dobson stars as Jocasta in Steven Berkoff's Sophocles adaptation

29 Jul 2011

Actor. Playwright. Director. Fringe darling. Big-screen bad guy. Steven Berkoff is all these things and more, a singular talent who has ploughed his own furrow. But for all his unique qualities, the 73-year-old says he is every bit the company man. This…

The Okavango Macbeth: Alexander McCall Smith’s 'Shakespeare and baboons' opera

The author/librettist teams up with Tom Cunningham and Robert McFall

24 Mar 2011

Alexander McCall Smith’s inspiration to write an opera based on Shakespeare’s Macbeth isn’t the first. Verdi was certainly there before him, but what makes McCall Smith’s The Okavango Macbeth decidedly different is that the characters are all baboons.

Just Macbeth!

Slick, accessible and boisterous adaptation of classic tragedy

8 Aug 2010

There are plenty of reasons why Macbeth is not suitable for kids: there’s the cold-blooded murder, the unmitigated violence, not to mention the difficult language. Australian company Bell Shakespeare, however, are experts in these things, and what they…

Macbeth for kids aims to charm the Edinburgh crowds

Just Macbeth takes Shakespeare to children

16 Jul 2010

Macbeth for kids: you’ve got to be joking? How on earth do you make the Bard’s bloodiest play palatable for wee ones? The apparent inappropriateness of staging the infamous Scottish play for young audiences, however, perfectly suits the remit of…

Macbeth at Traquair

28 May 2010

It’s summertime, which may or may not mean the arrival of blue skies and sunshine, but most certainly spells the onset of the outdoor Shakespeare season. Leading the pack is the annual celebration of the Bard at beautiful Traquair House in Innerleithen…

Bard in the Botanics

11 Jun 2009

There are probably fewer people in Scotland more excited about the Met Office’s predicted heatwave this summer than Gordon Barr, artistic director of Bard in the Botanics, Glasgow’s annual outdoor Shakespeare festival. ‘I’m really keeping my fingers…

Macbeth

18 Sep 2008

CLASSIC On the surface, Lucy Pitman-Wallace’s Macbeth is set up brilliantly. Set in medieval Scotland – as opposed to modern gun-slinging versions – we see a wild, desolate land; large wooden beams rising into the air, creating a fortress around…

Macbeth

4 Sep 2008

The last time Liam Brennan starred as Macbeth it was in a modern-day interpretation in Musselburgh in which the soldiers wore khaki, news was conveyed by TV screen, and when the thane of Cawdor heard bells it was the sound of his mobile. Ten years…

William Shakespeare - Macbeth

13 Mar 2008

REIMAGINED CLASSIC (Classical Comics) Some stories are so good they permit retelling again and again. Classical Comics knows this and these books – the fifth in their series – recreates Shakespeare’s tale of ambition, betrayal, delusion and power in a…

Macbeth

6 Sep 2007

There’s nothing particularly new about updating Shakespeare’s medieval Scottish tragedy to a modern criminal underworld setting - see the 1956 American mob movie Joe Macbeth - but Australian filmmaker Geoffrey Wright nevertheless makes a decent stab at…