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9 Aug 2007
To celebrate the company’s tenth anniversary, Tall Stories has brought two monster shows to Edinburgh – and they couldn’t be more different. Best known for their adaptation of The Gruffalo, Tall Stories has a reputation for creating innovative…
Russell Howard shows a remarkable amount of restraint against what appears to be a natural inclination to gab with his audience. Other than to mock the odd crazy laugh, he concentrates on his material, which is an ability which the crowd requires in…
The bad girls of last year’s Fringe are back, and this time they’re even naughtier. As all those who saw Laura Black and Feri Tezcan’s 2006 show, Silly Billy Bum Breath will know, the eponymous hero is in fact invisible – well, to us anyway. Only Black…
Faced with the prospect of Never Forget, ‘a new musical based on the songs of Take That’, you’d be forgiven for thinking ‘Mamma Mia, here we go again . . .’
Edinburgh’s premiere promoters of aktionist noise happenings commemorate a decade of cottage industry chunder with three bloody Sundays of non-Fringe-based hissy fits. Five reasons for their essentialness follow 1 It’s not music. It’s just noise And…
Another year, another excellent off-Broadway New York company debuts on the Fringe. Unlike their predecessors The Riot Group and T.E.A.M, however, Axis Theatre Company aren’t blazing trails with their original scripts. They’ve managed to create one of…
ELECTRONIC POP In Asobi Seksu’s world dreamy vocals soar over turbulent guitars and delicate vocals switch between English and Japanese in sweeping psychedelic pop songs. But in the real world the result is somewhat toothless, and, despite its…
HIP HOP Billed all too regularly as the nearly man of hip hop, this isn’t technically true of Common. Seven albums in, he was, until 2005’s Be an underground doyen, releasing excellent albums such as Like Water for Chocolate, which were scholarly…
Daljit Nagra is very popular with the pupils he teaches English to at a north-west London school. Not because he lets them off with throwing paper aeroplanes across the room or allows them to bunk off early, but because he has injected them with a love…
Lycra, spandex, cheesy hosts, uber-innuendo and even a recorded welcome from Terry Wogan himself; it is indeed, almost Eurovision. There’s a palpable sense of excitement as badges are distributed, flags and clackers are sold and the cast do a warm up…
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9 Aug 2007
9 Aug 2007
9 Aug 2007
9 Aug 2007
