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Found 30 articles.
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6 Sep 2007
Bad taste is always a good defence in the theatre of the last few decades. With it, we can reappraise all the conventional attitudes that accrue in both art and society. This, presumably, is the starting point for Mabou Mines DollHouse, a kind of vulgar…
23 Aug 2007
At the start of the Festival, opera-goers were spirited back to the genre’s origins with a spectacular production of the first great opera, Monteverdi’s L’Orfeo. Now, as things draw to a close, the opera on offer is one which poses questions to itself…
As comfortable chatting about American Idol as she is arias, Christine Brewer is swift to dispel any notion of the opera diva. Indeed, from the moment she burst onto the stage as a teenager with the Opera Theatre of Saint Louis, Brewer knew she had…
It’s not unheard of for groups of musicians to give themselves identities that have something to do with numbers. The Sixteen, for instance, take their name from the regular quota of their singers. Or there’s New York’s Ensemble 21, whose contemporary…
Of all the orchestras appearing at the Festival, there is none with a more impressive pedigree than the Gürzenich from Germany. Mahler, Berlioz, Wagner, Verdi, Brahms and Stravinsky all wrote for and conducted this orchestra, whose Cologne roots stretch…
The Tiger Lillies A few short years ago we were being blown away by this band’s antics at the Spiegeltent. Now they’re up at the International festival. The change of festival has not diluted their appeal, here they team up with Concerto Caledonia for…
Damascus David Greig’s new play about a man on a first time business visit to the eponymous city is full of humour, tragedy and political insight. Traverse, 228 1404, until 26 Aug, times vary, £16 (£5–£11). Venus as a Boy Tam Dean Burn is towering…
The gods are surely smiling on Edinburgh this month, as the American Repertory Theatre rocks up to the Edinburgh International Festival with a modern version of the Orpheus myth. The brainchild of master performer and maverick musician Rinde Eckert…
In 1962, one building in New York City became the centre of the modern dance world. Artists flocked to Judson Memorial Church to produce work, and when they left, went on to influence dancers and choreographers around the world. But when I ask Trisha…
16 Aug 2007
‘I developed special software for the last couple of pieces,’ says Elizabeth LeCompte, artistic director of New York avant-garders the Wooster Group. ‘Final Cut Pro and Isadora, you know, I was the initial developer.’ Actually, she was nothing of the…
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