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31 Jan 2007
GLASGOW FILM FESTIVAL Sean Biggerstaff has just returned from the seventh annual British Film Festival in Israel where Cashback was screened simultaneously in Haifa, Jerusalem and Tel Aviv. But though the film was well received, Biggerstaff wasn’t…
29 Jan 2007
RE-issue For the few who don’t know the plot of Emile Ardolino’s 1987 romantic musical: it’s the summer of 1963 at Kellerman’s Holiday Resort. Misunderstood, frustrated in-house dance teacher, Johnny (an unconvincingly teenage Patrick Swayze), meets…
Shy, prone to stage sickness, deep depression and melancholia the British comedian Frankie Howerd was still the funniest man ever tp have been born in the city of York, England. A brilliant, stammering pontificate of a stand-up comedian, Howerd’s talent…
30 Jan 2007
GLASGOW FILM FESTIVAL After her sojourn into the upper echelons of British society with her adaptation of Vanity Fair, Mira Nair returns to the multicultural themes that established her reputation with The Namesake. It’s a cinematic rendition of…
Belle de Jour Spanish surrealist filmmaker Luis Buñuel’s brilliant 1964 satire of bourgeois sexual mores gets a brief outing in a new print. Witness the birth of arthouse porn. Filmhouse, Edinburgh from Fri 9 Feb-Wed 14 Feb only. Read review
The prolific, gifted and deeply eccentric writer/director John Huston preferred to think that ‘God is not dead, just drunk.’ It’s a cute quote, which fits in with the air of Irish whimsy that Huston attempted to generate around himself and his uprooted…
‘If I knew that my son’s art teacher was banging his brains out in the art room, I’d be in there with a meat cleaver.’ Cate Blanchett is reflecting on her new film, Notes on a Scandal, in which she plays an art teacher who has an affair with one of her…
GLASGOW FILM FESTIVAL Cashback The opening night gala revolves around a heartbroken insomniac and his quest to find new love - through nightshift work. See Sean Biggerstaff interview. GFT, Thu 15 Feb, 7.30pm; Cineworld Renfrew Street, Fri 16…
GLASGOW FILM FESTIVAL Eric Schlosser touched a nerve with the public when he exposed the unethical and unhygienic practices of America’s junk food industry in his book Fast Food Nation. It swiftly became an international bestseller and required…
GLASGOW FILM FESTIVAL Named after a wrestling hold in which an opponent’s strengths are turned against themselves, the US indie Half Nelson is undoubtedly one of the highlights of the Glasgow Film Festival. The directorial debut of Ryan Fleck, whose…
GLASGOW FILM FESTIVAL Asked towards the end of his life why he had never written an autobiography John Wayne replied, ‘Those who like me already know me, and those who don’t like me wouldn’t want to read about me anyway.’ Modern day celebrities would…
Al Gore’s climate change film, An Inconvenient Truth, is to be shown in all of Scotland’s secondary schools. Friends of the Earth Scotland’s Chief Executive, Duncan McLaren, said of the Executive initiative: ‘For the sake of future generations we hope…
FANTASY DRAMA For Berlin, read Paris. For Wings of Desire, transpose Angel-A. But while Wim Wenders’ 80s classic still sparkles, this occasionally charming Luc Besson effort instantly pales by comparison. The problems are several fold, but the jovial…
ANIMATION/ADVENTURE If Luc Besson (The Big Blue, Leon) is to be believed, this, his tenth film, will also be his last as director. In adapting his own children’s book, Besson mixes live-action and CGI animation with decidedly patchy results. It’s…
RE-ISSUE The very great Spanish filmmaker and surrealist Luis Buñuel wrote in his fantastic autobiography My Last Breath that Belle de Jour was ‘my biggest commercial success, which I attribute more to the marvellous whores than to my direction.…
DRAMA/MUSICAL Dreamgirls has made Oscar history and the ceremony hasn’t even taken place yet. It is, allegedly, the first picture to have the most Academy Award nominations in a given year and still not be nominated for Best Picture. And, for once…
COMEDY Nip/Tuck writer/executive producer Ryan Murphy does a very fine job of cutting/pasting onto the big screen the horrific and hilarious teenage memoir of journalist Augusten Burroughs. Abandoned first by his alcoholic father Norman (Alec…
The all-day marathon is a right of passage for any horrorphile; a chance to wallow in the garish glory of the most extreme cinematic genres. For the second year, GFF features FrightFest in association with Zone Horror.
Cashback The opening night gala revolves around a heartbroken insomniac and his quest to find new love - through nightshift work. See Sean Biggerstaff interview. GFT, Thu 15 Feb, 7.30pm; Cineworld Renfrew Street, Fri 16 Feb, 6.30pm. A Guide to…
DOCUMENTARY Avi Mograbi’s tough-minded documentary on the horrors of today’s Israeli-Palestine conflict looks at events not from the point of view of Palestinian fanaticism and Israeli brutality, but chiefly from the long established fanaticism…
As a farmyard community story, EB White’s much loved kids story fits somewhere between cutesy fantasy Babe and Orwell’s bleak political parable Animal Farm, with cheery talking animals sugar-coating a bittersweet finale that touches on practical matters…
COMEDY The law of diminishing returns finally hits Christopher Guest and the team who have worked together since This Is Spinal Tap reconfigured the rockumentary back in 1984. Encouraged by the success of that film, which, despite being directed by…
WAR After La Grande Illusion won a prize at the Venice Film Festival in 1937, the Nazis declared it ‘cinematic enemy number one’, and when Germany invaded France a couple of years later Goebbels had prints of the film destroyed. Jean Renoir’s…
DRAMA Barbara Covett (Judi Dench) - note that grasping surname - is not a popular figure at the North London comprehensive where she teaches history. To the staff and the students she is, in her own words, ‘a battleaxe’, and to the headmaster, she is…
DRAMA Passenger is one of the great, overlooked films to deal with the Holocaust. Andrzej Munk’s film stands alongside Night and Fog and Shoah as a seminal examination of this crater in 20th century life and thought. Unlike those films, however, this…
ROMANCE/DRAMA ‘Times were hard but they were modern’ runs the unattributed Italian proverb at the beginning of this vibrant debut feature from young Chilean writer-director Alicia Scherson, which provides a real tonic for jaded cinematic palates.
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29 Jan 2007
29 Jan 2007
29 Jan 2007
29 Jan 2007
