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23 Aug 2007
The last few days of the kids programme takes a walk on the dark side with scary-sounding events such as Night of the Living Horror (25 Aug, 6pm) which opens up a world of gothic terror for those aged ten plus, though Justin Somper and his Vampirates…
There’s a very fine line between a send-up of a ropey cultural item and something that’s just plain ropey. Almost from its shrill opening bars it becomes crystal clear that Debbie Does Dallas – The Musical has crossed the line. The fundamental…
‘Hola!’ Shaun Ryder is just back from Spain, and has clearly been learning the language. In between shows leading up to next week’s T on the Fringe gig, though, the surprisingly sharp and decidedly affable Happy Mondays frontman is at home, ‘catching up…
Michael McIntyre has the look of someone your mother would like. Unashamedly middle class in his dress, mannerisms and speech, it’s easy to see why he is being heralded as the latest thing in ‘posh comedy’. In terms of demeanour and delivery, McIntyre…
After a decade away from the stand-up circuit, you’d think that quite a fuss would have been made of Frank Skinner’s Edinburgh return, back in the exact same room where it all started for him with his Perrier-winning year of 1991. Yet when the lights go…
Hello again, I’m delighted to report that, three weeks in, I’m surviving. My show Trying is Good has received what I am describing as ‘delightfully mixed’ reviews. I have seen some inspiring shows over the last week, Will Adamsdale and Kristen Schaal…
This year’s if.comedy awards are set to be sprinkled with a little Hollywood gold dust, when actor Christian Slater returns to the Edinburgh Fringe to announce the winner this week. Slater, who brought One Flew Over The Cuckoo’s Nest to the Fringe in…
Ballerina Who Loves A B-Boy The finest Korean breakdancers in town – treat yourself to headspins, streetdance and a wee bit of ballet in this five star show. clubWEST@Hilton, 0772 028 5550, 7.45pm, until 24 Aug, £12 (£9). Trisha Brown Dance Company…
With the Scottish Arts council adopting ‘cultural entitlement’ as their current buzzword, local company, Benchtours’ solution to fulfilling funding criteria takes the form of a customised 40ft articulated truck, which, following its stint at the Fringe…
5 words to describe Eggleston’s show this year? Even William Eggleston loves it. 4 exhibitions you really want to see at the Art Festival? Richard Wright, the Andy Warhol films, Jock McFadyen and Amazing Rare Things. 3 things that you…
If the basic purpose of theatre is to tell a story (and an entertaining one at that), then TJ Dawe has it covered. Recounting the experiences of a summer working at a holiday camp, this monologue has the feel of a fireside ghost story, interspersed with…
Don Ameche In the 20 or so years before his death in 1993, Ameche had become the über OAP in huge box office hits Trading Places and Cocoon. His best late great performance was as shoe shiner come ageing mafia don in David Mamet’s hugely enjoyable…
On the face of it, the stage Sean Hughes of 2007 doesn’t seem a whole lot different from the one who nabbed his first bit of fame back in 1990 as the youngest winner of the Perrier. With that boyish gaunt look still intact, he certainly doesn’t look any…
Perhaps understandably, the number of people who feel pessimistic rather than optimistic about Britain’s future has grown exponentially over the last few years, according to a flurry of recent surveys. This smart and stylish production from Vanishing…
Despite the title’s claim to be ‘aggressive,’ Tony Lee turns out to be a kindly softy suggesting that anyone with mental health problems and those who are very drunk shouldn’t offer themselves up as hypnotist fodder; he’s the one that would get sued.
It was only last year that Glasgow fivesome Attic Lights climbed down the stairs from the attic where they’d been honing their big guitarry sound – a power pop blend of 60s Beach Boys harmonies and gently melodic Americana – and finally stepped outside.
When a government minister is pictured committing an act he’d rather keep under wraps, can he keep the evidence hidden? And will his aide keep quiet? Dealing with torture, scandal and government cover-ups, all through the unlikely medium of slapstick…
It would be unforgivable if a show called Sex failed to be funny, given the range of available material. Davis’ set avoids well-worn jokes, managing to be both surprising and intelligent. But Sex ultimately suffers from a somewhat disjointed delivery…
If ever a comic had an appropriate surname, then it’s this surrealistic Canadian. You could knit a jumper with the majority of this set, but while it may be overflowing with material, give one of its many loose ends a tug and all the threads would come…
There’s a genuine acting talent in Hello, Holly! but a laugh-free script does nothing to save her from dying here. Nice ideas like bringing to life the Angel of the North and a horse actor recur with little weight behind them and Burn’s tortured…
The Sadowitz invective seems ever more bilious each passing year. The victims of his ire in this show range from the English (‘feckless cunts’), Heather Mills (‘cripple’) and even Harry Potter (‘fictional cunt’). Outrageously offensive and with a…
Opera at this year’s Festival has taken an interesting journey. The programme started with Bernstein’s Candide, chronologically the last of those heard, with Monteverdi’s glorious 400 year-old L’Orfeo hot on its heels. The latter was fully – and…
They say that all is fair in love and war – although the word ‘fair’ seems a little humdrum when you take in the remarkable collection of works exhibited in one of the Festival’s undeniable big guns. Throughout a selection of around 120 graphic works…
In 1962, one building in New York City became the centre of the modern dance world. Artists flocked to Judson Memorial Church to produce work, and when they left, went on to influence dancers and choreographers around the world. But when I ask Trisha…
Edward Anthony’s play takes us back into a mock suburbia of the 50s to explore the last hours and recollections of the poet of the title, here renamed Esther. Ted Hughes, in turn, becomes Ned Pughes and, as in all Plathian accounts of his life with her…
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