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7 Aug 2008
Characters in colourful costumes exchange banter with the audience, the live band plays a constant stream of Gogol Bordello-like polka and one act involves a dramatic take on Frankenstein's monster. This isn't your average circus. Far more theatrical…
With sculpted, Harlow-platinum wigs, gorgeously gilded corsetry and tongues in cheeks firmly set to ‘high camp’, this riotous piece of dance theatre by Company XIV merges Baroque dance forms, Can Can and contemporary ballet to music by Offenbach and…
31 Jul 2008
Lucy Porter wanted to be like Kate Adie but ended up being more like Lee Evans. That’s what repeatedly coming to the Fringe does to you. She doesn’t mind though… The Edinburgh Fringe Festival ruined my life. That sounds melodramatic, but it’s absolutely…
22 Jul 2008
A true icon of the 60s and 70s, Britt Ekland has lived a life of glamour and glory. She tells Liz Joseph why she’s telling the Fringe her story and how she keeps from feeling her age.
23 Aug 2007
Ballerina Who Loves A B-Boy The finest Korean breakdancers in town – treat yourself to headspins, streetdance and a wee bit of ballet in this five star show. clubWEST@Hilton, 0772 028 5550, 7.45pm, until 24 Aug, £12 (£9). Trisha Brown Dance Company…
16 Aug 2007
The humour we associate with issues of belonging can be very powerful, mainly because it instils a kind of panic in people as who we are, where we are from, and where we are going are thrown into question. And panic is always funny. Kahlil Ashanti’s one…
Unless you were brought up in a workhouse, you’ll be familiar with at least one of Dickens’ many tales. Beginning with Oliver Twist, this musical, is not quite as Dickens intended. We embark upon a full speed tour of his books, ending with A Christmas…
Acclaimed comedy writer/producer John Gordillo is not happy. Not happy with his ‘fraught relationship’, with his permanently ill girlfriend, or the London tube system, or bagpipers let loose in Edinburgh. But most of all, he’s not happy doing a free…
Having finally got over Baz Luhrmann’s version, it feels like we can move on to a new approach to this popular, if flawed, old Shakespearean standby. If Peter Meineck’s version for Aquila doesn’t quite make for a new ‘standard’, it certainly…
9 Aug 2007
Charlotte Hudson and Leila Hackett’s lively performance and British beach setting perfectly reflect a Blackpool-style summer: slightly tacky and full of tongue-in cheek exhibitionism. Fake seagulls call in the distance as a parade of characters accost…
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