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21 Aug 2008
It’s not bombastic patriotism to suggest that some of the most accomplished and satisfying contemporary dance on the Fringe is homegrown. These two works performed by Scottish Dance Theatre are an excellent showcase for the jaw-dropping versatility of…
Sinister social network sites are under precision attack in Hils Barker’s character exposé Exhibitionist! which links four lonely souls to ‘Profile Me’, an invention more Orwellian than Facebook. Barker attempts to draw parallels between billionaire…
Don’t worry, there is no gratuitous nudity in Nude, just two actors flexing and posing their naked bodies in close proximity to the front row. But it’s all done in the name of art, and the context of a life drawing class, in which the reluctant audience…
Three haunting voices, harp, guitar, whistle and pipes, beautifully blended. Annie Grace (pipes/vocals), Corrina Hewat (vocals/harp) and Karine Polwart (guitar/vocals), are three seriously talented musicians in their own right – each with their own solo…
14 Aug 2008
Since getting Jerry and co locked up in the grand finale of Seinfeld, John Pinette has spent the last decade making a name for himself on Broadway and in Hollywood. Having worked with the likes of Sinatra, Arnie and Travolta, he may not need the Fringe…
Ginger & Black aren't just deadpan. They're the pan that's been buried, left to rot, dug up and smacked about a bit just to make sure. They would grimace at this metaphor, and thereby prove my point. In fact, they would grimace if you composed the most…
James Campbell's latest offering calls itself a 'black experimental comedy', and you'd be right for wondering if this is suitable for children. Much effort has gone into scripting the warped chronology and fourth-wall antics of the plot, but they're…
This display of Samurai skill comes with a weighty pedigree: company director Tetsuro Shimaguchi not only appeared in Kill Bill 1, but choreographed the sword fighting scenes. He's working with hugely skilled performers here, and they know their target…
7 Aug 2008
Most 55-minute comedy shows, explains Mark Watson, use 50 minutes of material then allow five for laughter. But being a pessimist, the self-slagging, nervy wonderboy has prepared an hour. Based on audience reactions, the wiry, fake Welshman should have…
Golden moments from classic Hollywood films are the inspiration for this patchy production from US choreographers Gallimaufrey & Greene. While the intention is to provide an accessible entry point for theatregoers who are less familiar with contemporary…
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21 Aug 2008
21 Aug 2008
14 Aug 2008
