Dance, Kirstin Innes

Scottish Dance Theatre

Two very different displays of talent

21 Aug 2008

It’s not bombastic patriotism to suggest that some of the most accomplished and satisfying contemporary dance on the Fringe is homegrown. These two works performed by Scottish Dance Theatre are an excellent showcase for the jaw-dropping versatility of…

The Vanishing Point

Awe inspiring spectacle on stilts

14 Aug 2008

The Vanishing Point is sheer delight. The stilt walkers, communicating to each other through some sort of primeval whale song, trace a pattern of evolution from dinosaur-like creatures and sexually charged tribal people to, briefly, dead-eyed office…

Mudfire

Awe inspiring spectacle on stilts

14 Aug 2008

I picked the wrong day to go and see US acrobatic company Carpetbag Brigade's two Fringe offerings. After 48 hours of rain their outdoor performance space at Sweet ECA had turned swamp and the company was making do with a hastily-converted studio space.

Spirit of the Samurai

Swordplay blunted by repetition

14 Aug 2008

This display of Samurai skill comes with a weighty pedigree: company director Tetsuro Shimaguchi not only appeared in Kill Bill 1, but choreographed the sword fighting scenes. He's working with hugely skilled performers here, and they know their target…

Damned Beautiful

Dorian Gray does discordancy

7 Aug 2008

One of many pieces pivoting on The Picture of Dorian Gray at this year’s Fringe, this duet pares down the complexities of Wilde’s novel to focus on the obsessive sexual relationship between Basil Hallward and his beautiful boy. There is some beautiful…

Holdin' Fast

The mathematics of sexuality

7 Aug 2008

As we file into the UK debut by the Czech Republic’s only professional contemporary dance company, we’re confronted by the body of a young man, draped over a blackboard covered in mathematical equations. Upstage, under a half-raised curtain, running…

The Judgment of Paris

Can Can, corsets and high camp

7 Aug 2008

With sculpted, Harlow-platinum wigs, gorgeously gilded corsetry and tongues in cheeks firmly set to ‘high camp’, this riotous piece of dance theatre by Company XIV merges Baroque dance forms, Can Can and contemporary ballet to music by Offenbach and…

Interrupt

Relationship drama on the dancefloor

31 Jul 2008

The bustle of the Edinburgh Festival Fringe is not necessarily the ideal place to premiere a new piece by a new company. But David Beer, of still wet-behind-the-ears classical/contemporary dance company, Collisions, is letting the experience shape his…

Pericles Redux

Getting physical with the Bard

31 Jul 2008

‘Putting Shakespeare to dance is a dangerous thing to tackle,’ says John Farmanesh-Bocca about his ‘wild retelling’ of Pericles. ‘People are like, “well, are you going to make it a dance or are you actually going to speak the language properly?” We’re…

Magpie

24 Apr 2008

CONTEMPORARY DANCE Dundee Rep, Wed 7 May Aptly named after a cocky wee beastie with an eye for cherry-picking gems, Magpie is an expertly-curated rummage through some of the most exciting contemporary choreography of the last 20 years – a modern…

Nederlands Dans Theater 1

10 Apr 2008

CONTEMPORARY DANCE Edinburgh Festival Theatre, Fri 11 & Sat 12 Apr Although Nederlands Dans Theater’s ever-excellent youth company paid us a visit in May 2007, it’s been almost two years since principal company NDT1’s memorable, award-winning…

Valentine's Day tango classes

31 Jan 2008

It’s bucketing down on Buchanan Street with all the maudlin misery of your traditional Glasgow winter. However, if you divert up a side alley, local dancers are generating the sort of heat and wild, sensual rhythm better suited to the backroom of an…

Hula Hoopla

4 Jan 2008

OK, we’ve officially found the best ever way to rediscover your waist in the new year. Dance Base’s weekly Hula Hoopla classes, which start on Monday 7 January and run into March, not only tone your hips and backside back into shape, but allow you the…

Ballerina Who Loves a B-Boy

16 Aug 2007

Although it’s been crammed into a hotel function room better suited to the cringey frugging of a wedding disco, this gleeful little production is the most assured and exuberant of the cluster of Korean breakdance shows infesting the Fringe this…

Desert Island Dances

16 Aug 2007

This year, a proportion of the Fringe dance programme seems to be backing away from huge, political themes, focusing instead on small, personal moments of introversion. Desert Island Dances by Wendy Houston, whose Haunted, Daunted and Flaunted triptych…

Leitmotif

16 Aug 2007

Andrew Dawson is excitedly telling us about a company who film train journeys; no commentary, just a camera stuck to the front of the engine. He plays us the video – Bognor Regis to Victoria – and hops excitedly into the frame to point out the corner he…

Siamsoir: The Battle for Eire

16 Aug 2007

Their name comes from the Gaelic word for ‘entertainer’, and that’s precisely what young company Siamsoir’s fusion of traditional Irish and contemporary dance sets out to do. Trawling the misty myths of ancient Eire for subject matter…

Maximum Crew

9 Aug 2007

Korean breakdance has evolved away from the po-faced machismo that can pervade Western scenes, so while the dancers may still occasionally come across as cocky show-offs, they’re not afraid of self-parody or knowing camp. Over there the b-boy crews…

Sorry, Love!

9 Aug 2007

Isobel works in PR, Ramon’s a hotel bellboy. They fall in love and get a mortgage. Her boss calls too often; she’s sad when he comes home late. It’s interesting to see a piece of dance theatre using ballet and the sexy flourishes of tango to express…

Incarnat

1 Aug 2007

In French, incarnat is a colour somewhere between red and pink, the colour of the flesh just under the skin.

Moving Landscape

1 Aug 2007

In video clips on her website, Neel de Jong stands in an empty studio space.

Spin Odyssey

1 Aug 2007

The winners of the 2006 Tap Water Award for Dance, Last For One, will be all over Edinburgh this year.

The Three Musketeers

Festival Theatre, Edinburgh, Wed 7-Sat 10 Mar

27 Feb 2007

SWASHBUCKLING BALLET Northern Ballet Theatre have long been renowned for their atypical productions and for injecting realism and contemporary movement into ballet. In his six years as artistic director, however, David Nixon has refocused NBT’s…

Dancing for exercise

A phresh start

19 Dec 2006

‘Anyone want to take a guess at who that musician was? Yous’ll be so surprised. Long time ago . . . jazz trombonist . . . YES! Dizzy Gillespie! That’s it! That tune was recorded in 1961, would yis believe it?’