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31 Jul 2008
It’s probably safe to say that Scottish Opera is the only name which appears in both the music programme of the International Festival as well as the Fringe. As part of their continuing quest to bring high quality opera to a new audience, the company…
13 Dec 2007
The pitch Poor Cinders: Her life sucks — for one thing, her old boy has married the worst thing since C Difficile. Can she break away from her domestic bondage? Only with help from her friend Buttons and some heathen magic from her fairy godmother. Will…
15 Nov 2007
Matthew Lenton, artistic director of Vanishing Point, explains why he moonlights as a children’s entertainer every December ‘I’m writing and directing Cinderella at Carnegie Hall in Dunfermline this year. I’ve directed their annual panto for the past…
13 Dec 2006
The Pitch Poor old Cinders (Carolyn Gibb), she’s a decent sort of lass, but much put upon by her sisters Trinny and Susannah (Jo Freer, Julie Coombe), who suffer from a chronic inability to confront their own mauketness. Along comes a Prince who talks…
20 Dec 2006
BALLET Ashley Page could have taken the easy way out: choreographed a show that ticked all the boxes, and sent us home with another traditional narrative ballet under our belts. But Scottish Ballet’s artistic director has never favoured the obvious…
The Pitch Pity poor Baron Hardup, as feeble as a bowl of watery broth with a dicky ticker to boot, blitz-fully wedded to arch shrew Dodda Mutton, stepfather to a pair of hideous harpies who could give Lucrezia Borgia a run for her money in the…
27 Nov 2006
Well, we’ve only ourselves to blame. If we, as adults, persist in dragging our children along to pantos and Christmas shows, what grounds do we have to complain that they turn out to be twisted and violent? The stories themselves seem to display an…
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13 Dec 2007
